In the rural Australia of the fifties where John Baxter grew up, reading books was disregarded with suspicion, owning and collecting them with utter incomprehension. Despite this, by the age of eleven Baxter had 'collected' his first book - The Poems of Rupert Brooke. He'd read the volume often, but now he had to own it. This was the beginning of what would become a major collection and a lifelong obsession. His book-hunting would take him all over the world, but his first real find was in London in 1978, when he spotted a rare copy of a Graham Greene children's book while browsing on a stall in Swiss Cottage. It was going for 5 pence. This would also, fortuitously, be the day when he first encountered one of the legends of the book-selling world: Martin Stone. At various times pothead, international fugitive from justice, and professional rock musician, he would become John's mentor and friend. In this brilliantly readable and funny book, John Baxter brings us into contact with such literary greats as Graham Greene, Kingsley Amis, J.G. Ballard and Ray Bradbury. But he also shows us how he penetrated the secret fraternity of 'runners' or book scouts - sleuths who use bluff and guile to hunt down their quarry - and joined them in scouring junk shops, markets, auction rooms and private homes for rarities. In the comic tradition of Clive James's Unreliable Memoirs, A Pound of Paper describes how a boy from the bush came to be living in a Paris penthouse with a library worth millions. It also explores the exploding market in first editions. What treasures are lying unnoticed in your garage?
"Larry and Nancy Goldstone, accompanied by their wise and witty eight-year-old daughter, Emily, treat their readers to a fabulous personal tour of the Library of Congress ("114,000,000 books, so little time"). They also entertain us with unorthodox behind-the-scences looks at the Folger Library and the Beinecke, Yale University's Rare Book and Manuscript Library." "Forgeries, famous and otherwise, feature largely among the tidbits of arcane booklore that the Goldstones share with their readers this time around. The clever detective work that led to the uncovering of the infamous New England forger is recounted in all its facinating detail, as is the case of the murderous Mormon. Fans of The Antiques Roadshow will find here an amusing bibliographic counterpart." "Intended for those readers who already know a lot about books but want to learn more, Warmly Inscribed is the perfect gift for the book lover in your life."--Jacket.
"He was the hipster's hipster, the perfect icon of cool. A small-town Texan who disdained his "good ol' boy" roots, he bopped with the Beats, hobnobbed with Sartre and Camus, and called William Faulkner friend. He was considered one of the most creative and original players in the Paris Review Quality Lit Game, yet his greatest literary success was a semipornographic pulp novel. For decades, the crowd he ran with was composed of the most famous creative artists of the day. He wrote Dr. Strangelove with Stanley Kubrick, Easy Rider with Peter Fonda and Dennis Hopper, and worked on Saturday Night Live with a younger, louder breed of sacred cow torpedoers. He's a face in the crowd on the cover of Sgt. Pepper's Lonely Hearts Club Band (the guy in the sunglasses). Wherever the cultural action was, he was there, the life of every party - Paris in the '50s, London in the swinging '60s, Greenwich Village, and Big Bad Hollywood. Brilliant, dynamic, irrepressible, he enjoyed remarkable success and then squandered it with almost superhuman excess. There was, and ever will be, only one Terry Southern.". "In a biography as vibrant and colorful as the life it celebrates, Lee Hill masterfully explores the high and low times of the unique, incomparable Terry Southern, one of the most genuine talents of this or any other age. Illuminating, exhilarating, and sobering, it is an intimate portrait of an unequaled satirist and satirist whose appetite for life was enormous - and whose aim was sure and true as he took shots at consumerism, America's repressive political culture, upper-class amorality, and middle-class banality.". "But more than simply the story of one man, here is a wide-screen, Technicolor view of a century in the throes of profound cultural change - from the first chilly blasts of the Cold War and McCarthyism to the Vietnam era and the Reagan years; from Miles and Kerouac to the Beatles, the Stones, and beyond. And always at the center of the whirlwind was Terry Southern - outrageous, unpredictable, charming, erudite, and eternally cool; a brazen innovator and unappreciated genius; and most of all, A Grand Guy."--BOOK JACKET.
A worthy successor to Birdsong' Alain de BottonIn 1942, Charlotte Gray, a young scottish woman, goes to Occupied France on a dual mission: to run an apparently simple errand for a British special oeprations group and to search for her lover, an English airman who has gone missing in action. In the small town of Lavaurette, Sebastian Faulks presents a microcosm of France and its agony in 'the black years'. Here is the full range of collaboration, from the tacit to the enthusistic, as well as examples of extraordinary courage and altruism. Through the local resistance chief Julien, Charlotte meets his father, a Jewish painter whose inspiration has failed him.In a series of shocking narrative climaxes in which the full extent of French collusion in the Nazi holocaust is delineated, Faulks brings the story to a resolution of redemptive love. In the delicacy of its writing, the intimacy of its characterisation and its powerful narrative scenes of harrowing public events, Charlotte Gray is a worthy successor to Birdsong.
An anthology of pieces artist Tracey Emin wrote for The Independent newspaper in London, a weekly column that ran between 2005 and 2009, that touch on everything from the themes behind her work to her process, inspirations, and her alternately humorous and profound observations of daily life. Moving from diatribes on contemporary art and culture to confessional pieces chronicling her travels abroad and reflecting on her private life in London, the columns bring together elements of essay and diary that present a unique perspective on life and the work of the queen of the young British artists.
A Pound of Paper by John Baxter | Literally Just Books
