by Charlaine Harris (2011)
Former New York City model Nickie Callahan is looking forward to the easy life when she moves to the sleepy college town of Knolls, Tennessee. But the women of Knolls are not safe. And as Nickie gets swept up in a string of brutally violent crimes, she must take matters of justice into her own hands.
Chris Knopf
After one of Southampton real estate lawyer Jackie Swaitkowski's clients attempts to evict his sister-in-law from his own home, he turns up dead, and Jackie finds herself working on something more dangerous than real estate.
Harlan Coben
They're one of the country's most telegenic couples: beloved TV journalist Sara Lowell and New York's hottest basketball star, Michael Silverman. In a Manhattan clinic, a doctor has dedicated his life to eradicating a devastating disease. One by one, they're being targeted by a serial killer. And now Michael has been diagnosed with the disease.
Janette Turner Hospital
Haunted by the memory of the hijacked Paris-New York flight on which his mother was killed when he was a teenager, Lowell has been receiving calls from a stranger obsessed with learning the whole truth about Air France 64 badgering him for information about the flight she was also on as a child. The story’s action occurs in flashbacks to 1987, when an Air France flight to New York is seized by the group “Black Death” as a means to liberating jailed “Muslim freedom fighters,” with fatal consequences—and in a present time set 13 years later, when survivors and victims of the incident undertake to solve mysteries still surrounding it. Boston-area painting contractor Lowell Hawthorne, whose adulterous mother had perished when that plane exploded, is contacted by Georgetown University student Samantha Raleigh, who lost her parents in the same catastrophe and was furthermore one of 40 children on board released to safety by the terrorists. Samantha’s pursuit of the truth about Black Death (ostensibly her master’s thesis project), at first avoided and later abetted by Lowell, is juxtaposed against the experiences of people who did and did not board that plane—and complicated when Lowell acquires a collection of “coded journals” and videotapes left for him following the accidental death of his father Mather, a CIA “spook” who knew a great deal about the fatal flight, the origins and larger ambitions of Black Death, and the sinister involved figures code-named “Salamander” and “Sirocco.” The interlocking connections and revelations are quite cleverly made, and the imagery of plague (linked to epigraph quotations from Boccaccio, Camus, and Defoe) is ingeniously expressed by both the horror of “a politically necessary exercise that got out of hand” and the technique of chemical warfare, explicated with chilling factuality in Mather’s explosive journals. Several other surprises lie in wait, as the past bears in on, and threatens to devour, the present. ([Kirkus Reviews][1]) [1]:
Nevada Barr
Visiting an isolated Lake Superior isle to study wolf behavior, ranger Anna Pigeon joins a scientific group that subsequently discovers unusual DNA evidence suggesting that a giant and dangerous wolf hybrid has been introduced by an unknown source.