Andrew Wyeth
text by John Wilmerding
Concise analyses of scenes and characters accompany reprints of 170 of Wyeth's drawings and paintings of American people and their surroundings.

by Estill Curtis Pennington (1992)
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.
text by John Wilmerding
Concise analyses of scenes and characters accompany reprints of 170 of Wyeth's drawings and paintings of American people and their surroundings.
Alexandra Anderson-Spivy
Robert Kushner's aim as an artist has been "to please the eye and thereby satisfy the human soul." This magnificent new midcareer survey proves how well he has succeeded during twenty-five years that have included flamboyant early performance and fabric pieces; a period as a leader of the Pattern and Decoration movement; his return to the figure in the 1980s; up to his current concentration on flower and other still lifes of unmatched sensuality and opulence. These recent works celebrate the cycle of creation and destruction, the fruition, decay, and renewal that compose the eternal rhythm of natural life.
Karin Sagner-Düchting
"This illustrated volume examines the lines of influence leading from Monet to the great modern exponents of Abstract Expressionism. The book emphasizes the innovative aspects of Monet's late works, including his famous waterlily paintings and Rouen Cathedral series. His paintings are juxtaposed with those of 30 modern artists, including Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, and Ellsworth Kelly." "The ground-breaking importance of Monet's late work was long underestimated by avant-garde artists of the early 20th century. For them Cezanne was the father of modern art. It was only in the 1950s that the Abstract Expressionists in America and Europe began to recognize and build upon Monet's achievements. This fascinating volume provides fresh insight into the works of Monet and the followers of Abstract Expressionism in its various American and European manifestations."--Jacket.
Peter H. Hassrick, guest curator
"Since the 1980s - much of western history and art has been reevaluated. Its rosy ambience has been tinged with allegations of sexism, ethnocentrism, imperialism, and economic exploitation. The exhibition The American West: Out of Myth, Into Reality, for which this volume is the catalogue, explores some of these new insights and perspectives and seeks to reconcile these with entrenched myth. The emerging realities add to the fascinating story of the West in art and enhance our appreciation of the region, its people, and its pictorial legacy."--Jacket.