by Roger J. Morneau (1982)
"Face it, Morneau, you're not your own master. I wish you were, but you're not. The spirits own you in your entirety, and the sooner you acknowledge that,… The better off you'll be." Roland began pacing the floor, wringing his hands. "What I'm about to say to you I'd rather tell my enemies, instead of a longtime friend." By then Roland was perspiring profusely, although it wasn't warm in the room. "Your days are numbered––along with those of the young couple responsible for leading you away from the master. "Come with me to see the high priest right now. He will restore you to the spirits favor, and all will be well. This way no one gets hurt." Roland again had to pause for a couple of seconds to use his handkerchief. "One thing in particular the high priest wants you to realize––no one has ever gotten out of our secret society alive. The spirits brought you and me into it, were to be in subjection to them, not they to us." The experiences and questions of childhood in wartime had turned Roger Morneau away from God until he hated him. After the war a friend led Roger into demon worship. Then Morneau discover the good news of a loving God and wanted to break away from devil worship. But could he? Here is Roger Morneau's own story of divine rescue from the terrifying world of Satanism.
Paula Fox
The author describes her movements across Europe's scrambled post-war borders--trips to empty castles and ruined cathedrals, a stint in bombed out Warsaw in the midst of the Communist takeover, and nights spent in apartments with distant relatives, friends of friends, and in shabby pensions with little heat, each place echoing with the horrors of war.
[written by Jahnna N. Malcolm
Lizzy Caldwell is soo excited when she's invited to join the Camp Fear Girls. But things might be getting too scary for Lizzy especially when she finds out the girls' clubhouse is on Fear Street, the spookiest place in the world, and that Camp Fear Girls have a strange way of mysteriously disappearing.
Barbara Field
"As the play begins, an exhausted and dying Victor Frankenstein has finally tracked down his Creature in the lonely, frozen tundra of the North Pole. Determined to right the wrong he has committed by, at last, destroying the malignant evil he believes he has created, Frankenstein finds that he must first deal with his own responsibility and guilt--for, as their fascinating confrontation develops, it is evident that the Creature has become a pathetic, lonely and even sensitive being who wants only to find love and that he, Frankenstein, by intruding into the very secrets of life, is truly the evil one. As the two debate, scenes from the past flash by: Frankenstein's young bride, whom the Creature killed out of pique when the scientist failed to provide him with a mate of his own; the brilliant, quick-witted Professor Krempe, Frankenstein's university mentor; and moments between the youthful Victor and his brother, who also fell victim to the Creature's vengeance. Ultimately the exchange between Frankenstein and the Creature becomes a confrontation between parent and child, scientist and experiment, rejection and love, and even good and evil--culminating in the Creature's agonizing question, "Why did you make me?" It is a question the exhausted Frankenstein cannot answer and, as the play ends, the Creature lives on, condemned to pass his remaining days in the awful loneliness he has so desperately sought to escape."--Page [4] of cover.
Sienna Mercer
After discovering that she has a twin sister, Ivy, who is a vampire, Olivia risks losing her when their father decides to move to Europe with Ivy.