Alan Jay Lerner

Sample

Anthony Holden

In June 1805, a 56-year-old Italian immigrant disembarked in Philadelphia carrying only a violin. Before dying in New York, in his ninetieth year, he would find New World respectability as a bookseller, then as the first Professor of Italian at Columbia University. For now, he set up shop as a grocer. There was always an air of mystery about the Abbe Lorenzo Da Ponte. A scholarly poet, teacher and priest, with a devoted wife, he also had a reputation as a womaniser. Da Ponte charmed all he met, pioneering the place of Italian music in American life. But his self-assurance also excited mistrust. When the first Italian opera was performed in New York in 1825, he had the nerve to claim he had written it. He had, so he said, known Mozart. Not to mention Casanova. Like the memoirs he had recently written, to pay off more debts, the old man was so full of tall stories.... The many lives of Lorenzo da Ponte - librettist of Mozart's three great operas, The Marriage of Figaro, Don Giovanni and Cosi fan tutte - begin in Venice, linger in Vienna and London and wind up in New York, where today he lies buried in an unmarked grave in the world's largest cemetery. Anthony Holden's biography does justice at last to a great collaborator - the man who wrote Mozart.

Sample

David Beers

Through his father's history in the aerospace industry, the author tells of "'the blue sky tribe' of ever-optimistic middle-class Americans who believed in something called the American Dream, then woke up one day to discover it was gone."--Jacket.

Sample

Charlotte Chandler

"In Nobody's Perfect, Billy Wilder speaks for himself, in what is as close to an autobiography as there ever will be. Charlotte Chandler, author of earlier authorized biographies of Groucho Marx and Federico Fellini, met Wilder in the mid-1970s and began a friendship that continued until his death. Over the course of more than twenty years, she interviewed not only Wilder, but many of the actors and other creative people who worked with him. The result is this remarkable book, a very personal look at one of Hollywood's creative geniuses."--BOOK JACKET.

Sample

Donald Burrows

George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J. S. Bach dominated the writing of music for use in church. Perhaps best known for bringing the oratorio form to an English-speaking audience with masterworks such as Messiah, Handel also had a distinguished career as a composer of Italian operas, and furthermore found time to influence the development of orchestral music by writing such works as the Water Music and Music for the Royal Fireworks. Donald Burrows's new biography relates Handel's life and his music, devoting particular attention to two crucial junctures in Handel's development: his transition from a church-trained musician in Germany to a successful opera composer in London, and the gradual transformation of his theatre career from opera to oratorio, some thirty years later. In the oratorio form, as Burrows demonstrates, Handel was able to combine the techniques of large-scale construction and of aria writing that he had developed in his operas with an experience of choral music that went back to his earliest training as a church organist. The result was music that succeeds to this day in capturing the imagination of a vast audience. . The last half-century has seen Handel take a major place in modern musical scholarship. This book takes into account not only recent knowledge of historical sources and significant studies of Handel's major works, but also research on Handel's "borrowing" practices, his habit of using the existing musical ideas of other composers as well as his own. Yet Handel remains unsurpassed as one of the greatest compositional architects in the history of Western music, with a sure instinct for both balance and originality in the final result. In this insightful study, Donald Burrows brings to life not only the glory of Handel's artistry, but also his sometimes elusive personality, and the flavor of the times and places in which he lived.