Aldous Huxley

Sample

Michael Wood

The author places the landmark novel into the context of modern Colombia's violent history, exploring the complex vision of Gabriel García Márquez.

Sample

Phyllis T. Dircks

"This book covers the canon of playwright Edward Albee. Comprehensive entries detail each of the plays and major characters, and all works are cross referenced with important themes. Other features include biographical information focusing on Albee's artistic beliefs, his understanding of the playwright's responsibility, the importance of music in drama, and the technical craft of writing plays"--Provided by publisher.

Sample

Renée R. Curry

"Just as the cultural background of readers shapes how they respond to texts, the context in which writers live shapes what they write. When a context is dominant within a culture, the effects of that context upon an author may be taken for granted and thus overlooked. Race is a powerful factor in shaping literary works. Literature by black writers, for example, often reflects the experiences of African Americans. At the same time, though perhaps less obviously, literature by white writers may similarly reflect the experience of being white. This book argues that H.D., Elizabeth Bishop, and Sylvia Plath wrote from an unproclaimed dominant white perspective that becomes evident in their poetry. Loosely delineated, writing white constitutes writing authored from an acknowledged or unacknowledged white perspective; writing that implies or explicitly delivers the concept of whiteness to a text; writing that remains unconcerned with white racial politics internal and external to the text; and writing that uses the word white to maintain ideological systems of mastery and dichotomy. This book examines numerous poems in terms of whiteness. Each chapter places one poet in the larger context of historical and cultural racial events prevalent during the time of her writing and explores the particular poems created and published during that period." -- Amazon.com

Sample

Sylvie Maurel

This book examines Jean Rhys's writings through the frames of feminist criticism and literary theory, while providing close readings of the texts and of their language. It explores the various forms of feminine dissent at work in Jean Rhys's fiction. Jean Rhys is shown to develop an ethics of subversion through resistance to closure, irony, parody and her daring rewriting of Jane Eyre. Each novel is treated as an aesthetic whole, with substantial references to Jean Rhys's short stories, for a more penetrating insight into her fictional universe.