All for Love; or, The World Well Lost

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Penelope Murray and T.S. Dorsch

This anthology brings together core classical texts for understanding literature. The selections from Plato illustrate the poetic philosopher's surprising exclusion of poets from his ideal republic. In his response, Poetics, Aristotle draws on the works of the great Greek playwrights to defend the value of the art. Horace's The Art of Poetry is a vivid practitioner's guide that promotes a style of poetic craftsmanship rooted in wisdom, ethical insight, and decorum. Longinus's On the Sublime explores the nature of inspiration in poetry and prose. This volume is a work of great value and interest to classicists, students, and writers.

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John Skylitzes

"John Skylitzes' extraordinary Middle Byzantine chronicle covers the reigns of the Byzantine emperors from the death of Nicephorus I in 811 to the deposition of Michael VI in 1057, and provides the only surviving continuous narrative of the late tenth and early eleventh centuries. A high official living in the late eleventh century, Skylitzes used a number of existing Greek histories (some of them no longer extant) to create a digest of the previous three centuries. It is without question the major historical source for the period, cited constantly in modern scholarship, and has never before been available in English. This edition features introductions by Jean-Claude Cheynet and Bernard Flusin, along with extensive notes. It will be an essential and exciting addition to the libraries of all historians of the Byzantine age"--Provided by publisher.

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Marie Boas Hall

An account of the work of Copernicus, Kepler, Galileo, Harvey, Bacon and others; and how they and their ideas were related to their times.

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Angela McAllister

Abandoned to the workhouse after the death of her guardians, Cora Parry refuses to accept her fate. Under the tuition of persuasive streetrat Fletch, Cora finds herself reluctantly drawn deep into the Victorian underworld. As she is gradually seduced into a life of crime, Cora creates a persona for herself - Carrie - allowing her to separate her uneasy conscience from her actions. But soon things are spiralling out of control. Carrie is committing acts of crime that Cora knows she can't possibly have done. Where does Carrie end and Cora begin? Who is really in control, and where will it end?