Essays on Nepali, Indian, and American literature
Shreedhar Gautam
Comprises articles on Nepali literature, works of Mulk Raj Anand, Indic writer in English, and American philosophy and multiculturism.

by Charles W. Durham and Kristin A. Pruitt (1999)
The sixteen essays in this collection reflect the individuality and diversity of varied ideas and approaches to Milton scholarship. Readers will no doubt discern points of contiguity among the essays in this volume. For example, several essays investigate sources - literary, pictorial, architectural - and Milton's use of those sources in his poetry. Others view Milton from the perspective of his age and seventeenth-century contemporaries such as Michael Drayton and Aemelia Lanyer. Still others use the twentieth-century methodologies of transformational grammar, deconstruction, and chaos theory to reread Milton's works and assess their prophetic potential. Overall, the essays demonstrate the continued scholarly commitment to a search for truths in and about Milton's works, a process that began in the seventeenth century and promises to continue unabated into the next millennium.
Shreedhar Gautam
Comprises articles on Nepali literature, works of Mulk Raj Anand, Indic writer in English, and American philosophy and multiculturism.
Jonathan Boulter
Written in a clear, accessible language, this guide challenges and encourages students to grapple with the difficult ideas and questions posed by Beckett's texts.
Lauren S. Cardon
"Fictional depictions of intermarriage can illuminate perceptions of both 'ethnicity' and 'whiteness' at any given historical moment. Popular examples such as Lucy and Ricky in I Love Lucy (1951-1957), Joanna and John in Guess Who's Coming to Dinner (1967), Toula and Ian in My Big Fat Greek Wedding (2002) helped raise questions about national identity: does 'American' mean 'white' or a blending of ethnicities? Building on previous studies by scholars of intermarriage and identity, this study is an ambitious endeavor to discern the ways in which literature and films from the 1960s through 2000s rework nineteenth- and early-twentieth-century intermarriage tropes. Unlike earlier stories, these narratives position the white partner as the 'other' and serve as useful frameworks for assessing ethnic and American identity. Lauren S. Cardon sheds new light on ethno-racial solidarity and the assimilation of different ethnicities into American dominant culture."--Publisher's website.
Roger Y. Clark
"In Stranger Gods Roger Clark offers a study of Salman Rushdie's seven published novels, with a special focus on his earliest, Grimus, and his most powerful and provocative, Midnight's Children, Shame, and The Satanic Verses. Clark shows how Rushdie employs cosmology, mythology, and mysticism to structure otherworldly dramas that are fascinating in their own right, as well as crucial to the more worldly points Rushdie makes about literary tradition, history, ethnicity, and the politics of religion."--BOOK JACKET.