Amen to that!

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Peter Kovacs

"The longest war of the Roman imperial period is the war Marcus Aurelius waged with the northern German and Sarmatian tribes. The best-known events of these wars were the lightning and rain miracles. Divine intervention saved the Roman troops who were surrounded by the Germans and suffering from a water shortage, by means of a lightning and rain miracle. Thunderbolts struck the enemy while the rain soothed the Romans' suffering. Several pagan and Christian versions of the miracle existed already in Antiquity." "Peter Kovacs examines these events and their sources in detail. The most important source is the Column of Marcus Aurelius in Rome. The scenes of the column depict the miracles as well and therefore it was studied separately. The author also sketches the history of the Marcomannic wars. He publishes all the sources of the miracles and examines the development of the legend from Antiquity to the 14th century."--Jacket.

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Thomas L. Thompson

"The Mythic Past is the first accessible overview and synthesis of two decades of scholarship on various aspects of early Palestine history - linguistic, economic, agricultural, and archaeological. While its controversial conclusion - that the Old Testament offers absolutely no historical evidence for the early history of Israel - will surely draw fire from conservative Jews, Catholics, and Evangelicals alike, the author's insistence on the Old Testament as a great collection of literature offers refreshing new ways to read it. By separating the Bible from history, we are not getting rid of the Bible; instead, we are reading it as it was meant to be read - as stories and legends, as some of the world's most beautiful poetry, pious, lyrical, and erotic, as epic narratives and wondrous folktales, often stunningly profound and evocative, as romances and adventure stories both moralistic and sentimental."--BOOK JACKET.

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Angela Esterhammer

Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J. L. Austin, John Searle, and Emile Benveniste. Angela Esterhammer proposes a new way of understanding the relationship between Milton and Blake, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature. Esterhammer distinguishes between the 'socio-political performative,' the speech act which is defined by a societal context and derives power from institutional authority, and the 'phenomenological performative,' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker. Analysing texts such as The Reason of Church Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word - while continuing to use the forms of a socially or politically performative language.

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Lauren S. Cardon

"Fictional depictions of intermarriage can illuminate perceptions of both 'ethnicity' and 'whiteness' at any given historical moment. Popular examples such as Lucy and Ricky in I Love Lucy (1951-1957), Joanna and John in Guess Who's Coming to Dinner (1967), Toula and Ian in My Big Fat Greek Wedding (2002) helped raise questions about national identity: does 'American' mean 'white' or a blending of ethnicities? Building on previous studies by scholars of intermarriage and identity, this study is an ambitious endeavor to discern the ways in which literature and films from the 1960s through 2000s rework nineteenth- and early-twentieth-century intermarriage tropes. Unlike earlier stories, these narratives position the white partner as the 'other' and serve as useful frameworks for assessing ethnic and American identity. Lauren S. Cardon sheds new light on ethno-racial solidarity and the assimilation of different ethnicities into American dominant culture."--Publisher's website.