by Patricia Janis Broder (1981)
Seventy-four faithfully reproduced works of painting or sculpture by artists from the Pueblo, Apache, and Navajo territories, the Great Plains, Montana, the Dakotas, and Minnesota.
Samuel Kirkland Lothrop
The inhabitants of Cocle province on the southern coast of Panama created imaginatively decorative ceremonial bowls, adorned with countless powerful and sophisticated versions of motifs popular among native civilizations. This collection includes 591 of these beautifully stylized images, including gods, men, birds, fish, monkeys, florals, abstracts all in the beautiful Cocle style.
[by] Edward H. Jones, Jr. and Margaret S. Jones
The history and traditions of and the influences upon the art of the Mexican people--from pottery to the now extinct featherwork.
Joyce M. Szabo
"Ledger art is the term used to describe Plains Indian drawings and paintings on paper from the second half of the nineteenth century because they were often made on ledger paper readily available from military outposts. Howling Wolf is arguably the single most important ledger artist to emerge from the anonymity of this period. The Southern Cheyenne warrior was not only an extremely skilled artist, he was also the only Plains artist known to have created ledger art in all three phases of the art form: the pre-reservation era, the years from 1875 to 1878 when Indians of the southern Plains were confined at Fort Marion in Florida, and the reservation period. Howling Wolf's drawings while he was a prisoner at Fort Marion and those he made upon returning to the reservation were known, but this book presents the first in-depth examination of his previously undiscovered work from before his incarceration. The author shows ledger art to be a significant record of cultural attitudes of Plains Indian artists at a time when their societies were in great upheaval. She examines the works of art not only as historic documents but as visual statement reflecting the time, place, and society in which they originated. In contrast to the belief that ledger art was a stagnant form adhering to tradition, the author presents ledger art as a dynamic and inventive means of expression."--Book jacket.
Lucy Davies, Mo Fini
In this informative and spectacularly photographed volume, Mo Fini and Lucy Davies have drawn upon their extensive research into the traditional handicrafts of South America and the artisans who create them. Combining historical perspectives and cultural insights with descriptions of present-day techniques, the authors examine the full range of this vast area's indigenous arts and crafts: contemporary pottery inspired by ancient cultures, such as the Moche; jewelry and metal work in a multitude of forms; enduring textile traditions of the Wayuu, Aymara, and Kuna Indians; painting on clay, leather, and glass; wood carving and decoration of dried gourds; and other extraordinary crafts from around the continent. Full-color photography illustrates each of the crafts described, and a comprehensive reference section offers detailed advice on collecting and conserving these native treasures.