An appetite for violets

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Bret Easton Ellis

In Glamorama, a young man in what is recognizably fashion- and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers - back on the other, familiar side - that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

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Kate Charles

Everyone agrees that Bob Dexter, the prominent Evangelical clergyman, has a great deal of personal charisma. Those who know him realise that he also has an unshakable faith in his own righteousness, and a real talent for rubbing people up the wrong way. It is no surprise, therefore, that someone should want to kill him. In fact, when the Reverend Dexter moves to a small Norfolk parish, traditionally Anglo-Catholic, and begins remoulding it in his own image, his distraught parishioners are not the only ones with good reason to want to remove him. And there are secrets in his seemingly tranquil family life that Dexter does not even begin to suspect - until the fateful and eventful day of his death. Solicitor David Middleton-Brown and his artist-friend Lucy Kingsley step in to investigate. Their search for the truth culminates at the annual National Pilgrimage to Walsingham, where Anglo-Catholic pomp clashes with heated Evangelical protest, and feelings run perilously high. Too late, perhaps, David realises the danger: will he be in time to prevent a second murder?

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Paul Grossman

Enduring a fearful refugee existence in 1933 Paris, Willi Kraus is enlisted by dubious supporters as a private investigator and must solve a murder that leads him down a complicated path of seedy allies, dark canals, and smoky nightclubs.

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a novel by B. A. Shapiro

When Alizée Benoit, a young American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940, no one knows what happened to her. Not her Jewish family living in German-occupied France. Not her arts patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends and fellow WPA painters, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who, while working at Christie's auction house, uncovers enigmatic paintings hidden behind works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of New York's art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism. As she did in her bestselling novel The Art Forger, B. A. Shapiro tells a gripping story while exploring provocative themes. In Alizée and Danielle she has created two unforgettable women, artists both, who compel us to ask: What happens when luminous talent collides with unstoppable historical forces? Does great art have the power to change the world?--Dust jacket.