Roy Lichtenstein
Lou Ann Walker
Discusses the work of pop artist Roy Lichtenstein and describes how he develops a painting from original idea to finished piece.

by Doug Elliott and Bill Barnes (2008)
***Australia and Sherlock Holmes*** is the third title in The Baker Street Irregulars’ International Series, which brings the best non-fiction Holmesian writing from around the world to a larger audience. The history of Australian Sherlockians can be traced back over 100 years to a photograph of a group of miners printed in *The Strand Magazine* in 1904. ***Australia and Sherlock Holmes*** captures the distinctive Sherlockian voice from Down Under. Editors Bill Barnes and Doug Elliott provide context for, and an introduction to, Sherlock Holmes in Australia. They gathered materials written between 1959 and 2007, mostly from *News from the Diggings* and T*he Passengers’ Log*. These incisively written scholarly essays includes two pieces about the larger-than-life Richard Hughes, an Australian journalist who made one of the scoops of the (last) century by obtaining the first interview with the Cambridge spies Burgess and Maclean. (Hughes was a real-life inspiration for novelists John le Carré and Ian Fleming.) Popular culture is well represented by a piece covering Sherlock Holmes films conceived but never filmed, and accompanied by delightful, apocryphal movie posters. Well-reasoned papers link both Watson’s childhood and the speckled band snake to Australia; a fine, perhaps definitive essay addresses “The *Gloria Scott*.” There is much more in this volume attesting to the continuing remarkable popularity of the great detective around the globe, and particularly in Australia, and the creative whimsy with which Holmesian scholars play “The Game.”
Lou Ann Walker
Discusses the work of pop artist Roy Lichtenstein and describes how he develops a painting from original idea to finished piece.
Brenda Daly
Joyce Carol Oates's authorial voice is lavishly diverse. In her works she divides herself into many voices, many persons. This up-to-date examination of Oates's novels argues that the father-identified daughters in her early novels have become, in the novels of the 1980s, self-authoring women who seek alliances with their culturally devalued mothers. Oates's struggle to resist and transform male-defined literary conventions is often mirrored by the struggles of her female characters to resist and transform social conventions.
Hubertus Butin
The phrase "unique pieces in series" seems to be contradictory at first sight. For how can something that only exists once be present several times? But some of Gerhard Richter's editions embody this particular principle of uniqueness in series. In paintings, photographic works, prints, and drawings, Richter has developed the possibility to vary individual copies in their appearance. The entire set of an edition thus consists of unicultural variants whose difference is intended. Probably no other artist has made this design concept into a fundamental method of their art in such a fascinatingly diverse way. Die Formulierung "Unikate in Serie" scheint auf den ersten Blick in sich widersprüchlich zu sein. Denn wie kann etwas, was nur einmal vorhanden sein soll, mehrfach vorliegen? Doch manche von Gerhard Richters Auflagenwerken verkörpern dieses besondere Prinzip der Einzigartigkeit in Serie. In Malerei-Editionen, Fotoarbeiten, Druckgrafiken, Zeichnungen und Multiples hat Richter die Möglichkeit entwickelt, im Rahmen der jeweils gleichen Produktionsweise einzelne Exemplare in ihrer Erscheinung zu variieren. Die gesamte Auflage einer Edition besteht somit aus unikatären Varianten, deren Unterschiedlichkeit intendiert ist. Wohl kein anderer Künstler hat dieses gestalterische Konzept auf so faszinierend vielfältige Weise zu einer grundsätzlichen Methode seiner Kunst gemacht.
[textos de] Alfredo Bryce Echenique ... [et al
Ciclo de conferencias sobre el fotógrafo peruano Martín Chambi (1891-1973). Del editor: "Martín Chambi es uno de los máximos exponentes de la fotografía mundial. Con su depurado estilo retrató a la sociedad peruana de las primeras décadas del siglo XX y el paisaje tópico y utópico de este país a caballo entre las tradiciones ancestrales y el deseo de modernización. Este libro de la Fundación Telefónica rinde un homenaje a Chambi con este ciclo de conferencias en el que Carlos Gollonet, comisario de la muestra expuesta en 2006 y director del ciclo, reúne a los más destacados estudiosos de la vida y obra del fotógrafo peruano."