Avant-nostalgia

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Sandy Isenstadt

"In The Modern American House, Sandy Isenstadt examines how architects, interior designers, and landscape designers worked to visually enhance spatial perception in middle-class houses. The desire for spaciousness reached its highest pitch where it was most lacking, in the small, single-family houses that came to be the cornerstone of middle-class life in the nineteenth century. In direct conflict with actual dimensions, spaciousness was linked to a tension unique to the middle-class: between spatial aspirations and financial limitations. Although rarely addressed in a sustained fashion by theorists and practitioners: Isenstadt argues that spaciousness was central to the development of modern American domestic architecture, with explicit strategies for perceiving space being pivotal to modern house design. Through professional endorsement, concern for visual space found its way into discussion on the course of a century of real estate taste and law. This book documents how visual space came to be internalized as a cultural value."--Jacket.

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Steven Roger Fischer

When Lost's Oceanic Airlines Flight 815 crashed, the survivors found themselves on a seemingly deserted island. In Defoe's novel, Robinson Crusoe spends twenty-eight years on a remote tropical island near Trinidad, while in the movie Castaway Tom Hanks survives over four years on a South Pacific island. And Jurassic Park kept its dinosaur population confined to an island off the coast of Central America. Islands often find themselves at the center of imagined worlds, secluded and sometimes mystical locales filled with strange creatures and savage populations. The cannibals, raptors, and smoke monsters that exist on the islands of popular culture aside, the more than one million islands and islets on the planet are indeed small , geological, biological, and cultural laboratories. From Britain to Japan, from the Galapagos to Manhattan, this book roams the planet to provide the first global introduction to these waterlocked landforms. Longtime island dweller Steven Roger Fischer shows that, since time began, islands have been one of the primary birthplaces for plants, animals, and proto-humans. These eyots of stone and sand--whether in ocean, lake, or river--fostered the human race, and Fischer recounts how humanity then exploited these remarkable habitats as stepping stones to global dominion. He explores island economics, warfare, and politics, and he examines the role they have played in literature, art and psychology. At the same time, he sparks our imagination with visions of islands--from Atlantis to Tahiti, Treasure Island to Hawaii. Ultimately, he reveals, these isolated mini-worlds are a measure of humankind itself. An engaging account of the islets that have enriched, lured, terrified, and inspired us, Islands shines new light on these cradles of earth--and human--history.

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guest-edited by Neil Spiller

We are entering a new era of architecture that is technologically enhanced, virtual and synthetic. Contemporary architects operate in a creative environment that is both real and digital; mixed, augmented and hybridised. This world consists of ecstasies, fears, fetishisms and phantoms, processes and spatiality that can best be described as Surrealist. Though too long dormant, Surrealism has been a significant cultural force in modern architecture. Founded by poet Andre Breton in Paris in 1924 as an artistic, intellectual and literary movement, architects such as Le Corbusier, Diller + Scofidio, Bernard Tschumi and John Hejduk realized its evocative powers to propel them to 'starchitect' status. Rem Koolhaas most famously illustrated Delirious New York (1978) with Madelon Vriesendorp's compelling Surrealist images. Architects are now reviving the power of Surrealism to inspire and explore the ramifications of advanced technology. Architects' studios in practices and schools are becoming places where nothing is forbidden. Architectural languages and theories are 'mashed' together, approaches are permissively appropriated, and styles are not mutually exclusive. Projects are polemic, postmodern and surreally media savvy. Today's architects must compose space that operates across the spatial spectrum. Surrealism, with its multiple readings of the city, its collage semiotics, its extruded forms and artificial landscapes, is an ideal source for contemporary architectural inspiration.

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David Malin

"Using some of the most powerful Earth-based telescopes, astronomer and photographer Malin has spent over twenty years painstakingly capturing the previously undetected colors and forms of gas, dust, and light in the farthest reaches of space.The unusual photographic process that Malin devised requires three different exposures, which may be taken years apart, in order to produce each picture.". "The informative and entertaining text combines the science, poetry, and lore behind these glorious objects. It outlines the story of their discovery and observation along with vivid descriptions of the life cycles of stars, setting them in the context of their distance, age, and environment."--BOOK JACKET.