"At 45, Mo Mozart has struggled as a single mother to bring up her first two children. Now they've flown the nest, she's concentrating on maintaining a career while being a good wife to her second, younger husband, Jack, and mother to their little daughter, Lily. With the help of yoga, meditation and her close group of girlfriends, Mo feels she's at last getting the balance of her life right. Until, that is, Jack's highly strung twin sister asks her to help trace their birth mother, Caitlin. Jack wants nothing to do with it. Her involvement in the search triggers turmoil in Mo's life, exacerbated by the onset of menopausal symptoms, Jack's involvement with someone else, and an old vagrant woman who unleashes unwelcome, supernatural encounters." "The hunt for Caitlin is a compelling journey of clues and dead ends, coincidence and revelation, that exposes much of the grief involved in teenage sex and adoption. It is set within a wry and authentic portrayal of the complex lifestyle which so many contemporary women lead, and against an evocative depiction of London's historic Crystal Palace district. Each of the acutely drawn characters has personal issues, all of which raise questions about spirituality and sexuality, motherhood, relationships and family bonds." "Forced to use all her professional skills, personal contacts and psychic gifts to locate Jack's biological mother, Mo gains a deeper understanding of herself in the process, and unearths unexpected information about her family and the intimate lives of her best friends."--BOOK JACKET.
Cedilla continues the history of John Cromer (‘adventures’ sounds rather too hectic) begun by Pilcrow, described by the London Review of Books as ‘peculiar, original, utterly idiosyncratic’ and by the Sunday Times as ‘truly exhilarating’. John Cromer is the weakest hero in literature - unless he’s one of the strongest. In Cedilla he launches himself into the wider world of mainstream education, and comes upon deeper joys, subtler setbacks. The tone and texture of the two books is similar, but their emotional worlds are very different. The slow unfolding of themes is perhaps closer to Indian classical music than the Western tradition – raga/saga, anyone? This isn’t an epic novel as such things are normally understood, to be sure. It contains no physical battles and the bare minimum of travel, yet surely it qualifies. None of the reviews of Pilcrow explicitly compared it to a coral reef made of a billion tiny Crunchie bars, but that was the drift of opinion. Page by page, Cedilla too provides unfailing pleasure. It’s the book you can read between meals without ruining your appetite.
Sam Selvon's Moses Ascending depicts West Indian Immigration in England. Moses, a Trinidadian who has been in England for some years now represents immigrants who come from all corners of the world to seek a better life. Like many immigrants he is hard-working. After years of living in a dingy basement he saves up enough money to buy a house. Moses calls this his dream house in the beginning of the book but later on he realizes that the house is a piece of garbage.
This is one of Trollope's best novels, in the present writer's opinion. Among several intermingled plots, the story arc of Arabella Trefoil is the most rewarding. The husband-hunting Arabella is absolutely one of Trollope's best characters. She is grand-daughter to a great Duke, yet her social position is precarious, because her father was a wastrel younger son who married a woman of low birth (her father was "in trade!"). He engrossed her large fortune and squandered it, leaving his estranged wife and daughter nearly destitute, and yet with an expensive social position to maintain. Read this book for Trollope's masterly delineation of how these circumstances harrow the soul and deform the character of a young woman. With no fortune except a relentless will, Arabella must marry well to save herself from the abyss of middle-aged spinsterhood, poverty, and social death. Arabella has learned to regard the men in her life as stupid but powerful enemies against whom any cruel or dishonest treatment is thoroughly justified. Men are to be flattered, fooled and captured, or dealt with according to the laws of war. Trollope makes clear that Arabella is what her avaricious, hypocritical, patriarchal social class has made her into, and she is a sympathetic character despite her hardened heart. When she is introduced, she is nearly thirty and is nearing the end of the line as a marriageable girl. "I'll tell you what it is, mamma. I've been at it till I'm nearly broken down. I must settle somewhere;—or else die;—or else run away. I can't stand this any longer and I won't. Talk of work,—men's work! What man ever has to work as I do?"
The eponymous American Senator is Elias Gotobed, of the fictional American state of Mickewa, who visits England apparently in order to inflict his opinions on everyone he meets. Trollope's senator is a self-righteous, pontificating horse's ass who offends against hospitality by lecturing and berating his hosts and their other guests at the dinner table about their laws and customs, and by meddling in local quarrels which are none of his business. In the end, the honour of England is avenged against the obnoxious Solon of Mickewa and he beats a retreat to the States with a flea in his ear. One wonders who the model(s) for this character might have been.
A third storyline involves the romantic vicissitudes of Mary Masters, a country lawyer's daughter and a typical Trollopeian nice, well-principled young girl. All these stories are woven together expertly and seamlessly. This is a book to read and re-read. There are many hunting scenes, and the conversations of the horsey set are strikingly well-observed and most enjoyable, whether you approve of blood sports or not.
Where are all the exciting men in London? After spending years in the glittering ballrooms of the ton, Amanda Cynster is utterly bored by the current crop of colorless suitors. Determined to take matters into her own hands, one night she shockingly goes where no respectable lady ever should, but where many an intriguing gentleman might be found. But titillating excitement quickly turns to panic when Amanda discovers she′s quite out of her depth. She looks around for help -- and is unexpectedly rescued by the Earl of Dexter. Lean, sensuous, and mysterious, he has delayed re-entering society, preferring instead a more interesting existence on its fringes. He′s the epitome of the boldly passionate gentleman Amanda has been searching for, but although his very touch makes it clear he′s willing to educate her in the art of love, Amanda has to wonder if such a masterful, lionized rake can be sufficiently tamed into the ways of marriage.
Blood and water by Lucy McCarraher | Literally Just Books
