by Federico García Lorca (1996)
Lorca's Blood Wedding is a classic of twentieth-century theatre. The story is based on a newspaper fragment which told of a family vendetta and a bride who ran away with the son of the enemy family. Lorca uses it to investigate the subjects which fascinated him: desire, repression, ritual, and the constraints and commitments of the rural Spanish community in which the play is rooted. Ted Hughes's version stays close in spirit and letter to the original Spanish. With marvellous directness, he fuses Lorca's vision to his own, and the result is a powerful poetic text which captures all the violence and pathos of the play for an English-speaking audience.
Hugh Grady
The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor. (Amazon).
David Mamet
A story for everyone who works for a living. An examination of the machinations behind the scenes at a real estate office.
Jake Maddox
Amanda has always dreamed of being captain of a cheerleading squad, and this year, she is! But she soon realizes that being captain is harder than she thought. Not only does she have to lead the squad, she has to inspire them, and that’s hard work.
ada[ted by Tim Luscombe
Anne Elliot fell deeply in love with a handsome young naval officer, Frederick Wentworth, at the age of nineteen. But because he had neither fortune nor rank to recommend him, Anne's mentor and friend, Lady Russell, persuaded her to break off the engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Frederick and when he returns from sea a Captain, she can only watch as every eligible young woman falls at his feet. Can the pair rekindle a love that was lost but not forgotten?