Borderlands/La Frontera

Sample

Karl Galinsky

Grand political accomplishment and artistic productivity were the hallmarks of Augustus Caesar's reign (31 B.C. to A.D. 14), which has served as a powerful model of achievement for societies throughout Western history. Although much research has been done on individual facets of Augustan culture, Karl Galinsky's book is the first in decades to present a unified overview, one that brings together political and social history, art, literature, architecture, and religion. Weaving analysis and narrative throughout a richly illustrated text, Galinsky provides not only an enjoyable account of the major ideas of the age, but also an interpretation of the creative tensions and contradictions that made for its vitality and influence. Galinsky draws on source material ranging from coins and inscriptions to the major works of poetry and art, and challenges the schematic concepts and dichotomies that have commonly been applied to Augustan culture. He demonstrates that this culture was neither monolithic nor the mere result of one man's will. Instead it was a nuanced process of evolution and experimentation. Augustan culture had many contributors, as Galinsky demonstrates, and their dynamic interactions resulted in a high point of creativity and complexity that explains the transcendence of the Augustan age. Far from being static, its sophisticated literary and artistic monuments call for the active response and involvement of the reader and viewer even today.

Sample

Enrique Krauze

"Solo un historiador como Enrique Krauze podia vertebrar episodios tan alejados en el tiempo y en la geografia como el movimiento neozapatista y el Holocausto, la Revolucion de Terciopelo y el humanismo indigenista o el conflicto arabe-israeli ... El rigor y la brillantez analitica que caracterizan las obras de Krauze confluyen en este volumen, en el que poco a poco se perfila no solo la travesia de la humanidad a lo large do los siglos, sino tambien la andadura intelectual del autor."--Cover.

Sample

Richard Rorty

In this book Rorty argues that thinkers such as Nietzsche, Freud, and Wittgenstein have enabled societies to see themselves as historical contingencies, rather than as expressions of underlying, ahistorical human nature or as realizations of suprahistorical goals. This ironic perspective on the human condition is valuable on a private level, although it cannot advance the social or political goals of liberalism. In fact Rorty believes that it is literature not philosophy that can do this, by promoting a genuine sense of human solidarity. A truly liberal culture, acutely aware of its own historical contingency, would fuse the private, individual freedom of the ironic, philosophical perspective with the public project of human solidarity as it is engendered through the insights and sensibilities of great writers. The book has a characteristically wide range of reference from philosophy through social theory to literary criticism. It confirms Rorty's status as a uniquely subtle theorist, whose writing will prove absorbing to academic and nonacademic readers alike.

Sample

Wil Arts (ed

"The question this book addresses is whether it is possible to get an almost face-to-face intimacy with various forms of cultural tradition and modernity by using our experiences and our powers of imagination, i.e. our expectations, in a more fruitful way." "The contributors to this book try to give answers to this weighty question by taking as a guideline Erasmus's famous motto, i.e. always go to the sources."--Jacket.