Boulez

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dargestellt von Jürgen Schebera

Kurt Weill--the famed composer of The Threepenny Opera, Rise and Fall of the City of Mahagonny, Knickerbocker Holiday, One Touch of Venus, Lost in the Stars, and many other musical works--led a life as rich and complex as the music for which he is so justly acclaimed. This engaging and lavishly illustrated book draws on a wealth of previously unexplored written and pictorial material to present a biography of Weill that is the most up to date and balanced ever written. Jurgen Schebera explores the many phases of Weill's life, from his childhood as the son of a cantor in the Jewish section of Dessau, Germany, to his renunciation of Germany in 1933, his emigration to America in 1935, and his premature death there in 1950. Schebera describes Weill's rise to prominence during the Weimar Republic, when he created brilliant orchestral and chamber music and became a leading operatic innovator; his marriage, divorce, and remarriage to the famed actress Lotte Lenya; his escape from Nazi Germany, exile in France, and move to America; his collaboration with such famed writers and lyricists as Georg Kaiser, Bertolt Brecht, Maxwell Anderson, Moss Hart, Ira Gershwin, S.J. Perelman, and Ogden Nash; and his efforts in the United States to aid the mobilization for war. He presents fascinating information about Weill's musical creations: an anti-war musical (Johnny Johnson); a biblical drama (The Eternal Road); his first American song "hit," "September Song"; a Kiddush for cantor, chorus, and organ; a new genre of Broadway opera (Street Scene); a musical tragedy (Lost in the Stars); and many other musical ventures in New York and Hollywood. Schebera contends that it is pointless to argue the relative merits of Weill's music from his European and American periods, as many critics have done. As Weill himself said, "I have never acknowledged the difference between 'serious' music and 'light' music. There is only good music and bad music." And, in fact, the current international renaissance of Kurt Weill's works attests to the beauty, originality, and variety of the music he composed throughout his career. First published in Germany to enthusiastic reviews, this English edition adds new information and illustrations to the earlier work.

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Erich Gimpel

The spellbinding autobiography of one of the only Nazi spies to reach American soil. September 1944. Germany is burning at both ends and the Reich is crumbling. Word has drifted back to Berlin that the Americans are testing a secret weapon of unbelievable destruction. A weapon that will win the war. The Fuhrer himself calls upon Agent 146 in a last ditch effort to sabotage America's atomic program. Two months later, a German U-boat surfaces off the coast of Maine. Agent 146 and an American turncoat named William Collepaugh sneak ashore. Down the coast they go, ending up in New York. Once there, a fascinating game of cat and mouse begins as the FBI attempts to close in on the elusive Nazi spy. Never before published in the U. S., Agent 146 is an intriguing tale of espionage under the Reich. Within these pages are fascinating accounts of the Nazis' plans to sabotage the Allies--from sending in commandos to capture Gibraltar to blowing up the Panama Canal. Agent 146 is a must read memoir for any World War II history buff.

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Oliver W. Harrington

To American black newspapers of the 1930s and 1940s, "Ollie" Harrington was a prolific contributor of humorous and editorial cartoons. He emerged as an artist during the Harlem Renaissance and created Bootsie, the popular cartoon figure that became a fixture in black newspapers. Langston Hughes praised Harrington as America's greatest black cartoonist. After serving as a war correspondent in Italy, he returned to his homeland and the impediment of racism that pervaded American life. As director of public relations for the NAACP, he crusaded against America's policies of institutionalized racism, openly supporting leftist reform leaders. Upon hearing, in this era of "red-baiting", that he was targeted for investigation, Harrington left America. In the culturally rich American community on the Left Bank in Paris that would come to include Chester Himes, James Baldwin, and Richard Wright, he became a fixture. In 1961 he found himself trapped behind the Berlin Wall, but he chose to remain in East Germany. His cartoons appeared in East German magazines and in the American Communist newspaper The Daily World. Although he became a favorite with Eastern Bloc students and intellectuals, in America Harrington was mainly forgotten. The autobiographical pieces included in Why I Left America and Other Essays, written mainly during the 1960s and 1970s, detail Oliver W. Harrington's experiences as an African American artist in exile. One theme that persists in these writings and his cartoons is his intolerance of racism. Hence, as an artist, he has found it impossible not to be political. "Although I believe that 'art for art's sake' has its merits," he says, "I personally feel that my art must be involved, and the most profound involvement must be with the Black liberation struggle." One essay, from Ebony magazine, fuels speculation about the mysterious circumstances in the death of his friend Richard Wright. In another piece Harrington details how he created the celebrated Bootsie. He writes in others of his life in New York during the Harlem Renaissance and in Paris with fellow black expatriate figures. Why did this African American choose to live in exile for over forty years? In an affectionate foreword to this volume Richard Wright's daughter Julia gives clues to the answer. Her insights, along with M. Thomas Inge's introductory essay, about Harrington's life and achievements, bring special focus to the experiences of an outstanding African American artist and social critic who has been virtually without recognition in his homeland.

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Rich Cohen

The bittersweet story of an American family and its patriarch, a short-order cook named Ben Eisenstadt who, in the years after World War II, invented the sugar packet and Sweet'N Low, converting his Brooklyn cafeteria into a factory and amassing the great fortune that would destroy his family. A strange comic farce of machinations and double dealings, it is also the story of immigrants, sugar, saccharine, obesity, and the health and diet craze, played out across countries and generations but also within the life of a single family, as the fortune and the factory passed from generation to generation. The author, Rich Cohen, a grandson (disinherited, and thus set free, along with his mother and siblings), has sought the truth of this rancorous, colorful history, mining thousands of pages of court documents and conducting interviews with members of his extended family.--From publisher description.