by Geoffrey Batchen (1997)
In an 1828 letter to his partner Nicephore Niepce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. In this refiguring of the traditional story of photography's origins, Batchen examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Hanns Zischler
"Went to the movies. Wept. Boundless entertainment." So wrote Franz Kafka in one of his diaries, giving but one hint of his little-known passion for the cinema. Kafka aficionados have been left to speculate about which films moved Kafka and how those films might have influenced his writing. Here, the author draws on years of detective work to provide an account of Kafka's moviegoing life.
James Fenton
"James Fenton, one of England's most gifted poets, has in recent years been looking closely at works of art and writing incisively and inventively about them and their creators. Leonardo's Nephew collects fifteen pieces, most originally published in The New York Review of Books, in which he discusses a wide range of painting and sculpture, from the mummy portraits of ancient Egypt and the few surviving works of the fifteenth-century sculptor Andrea del Verrocchio to Seurat's bathers in the Seine, the boxes of Joseph Cornell, and the works of Robert Rauschenberg and Jasper Johns."--BOOK JACKET.
Rob Bell
In 'Love Wins,' Rob Bell confronted the troubling questions that many people of faith were afraid to ask about heaven, hell, fate, and faith. Using the same inquisitive approach, he now turns to our most sacred book, providing insights and answers that make clear why the Bible is so revered and what makes it truly inspiring and essential to our lives. Rob takes us deep into actual passages to reveal the humanity behind the Scriptures. You cannot get to the holy without going through the human, Rob tells us. When considering a passage, we shouldn't ask "Why did God say..." To get to the heart of the Bible's meaning, we should be asking: "What's the story that's unfolding here and why did people find it important to tell it? What was it that moved them to record these words? What was happening in the world at that time? What does this passage/story/poem/verse/book tell us about how people understood who they were and who God was at that time?" In asking these questions, Rob goes beyond the one-dimensional question of "is it true?" to reveal the Bible's authentic transformative power. Rob addresses the concerns of all those who see the Bible as God's Word but are troubled by the ethical dilemmas, errors, and inconsistencies in Scripture. With What Is the Bible?, he recaptures the Good Book's magic and reaffirms its power and inspiration to shape and inspire our lives today.
Russell Sturgis, music by Henry Edward Krehbiel
Descriptive, critical and comparative notes on 1,000 works on painting, sculpture, architecture, decorative arts, illustration and music. Classed, with author and subject index. – – A.L.A.Catalog 1904