Chuck Jones

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Mireille Blanchet-Douspis

L'influence de l'histoire contemporaine dans l'¿uvre de Marguerite Yourcenar propose de montrer que, loin d'e tre seulement un e crivain classique qui s'inte resse a l'histoire du passe , Marguerite Yourcenar ne cesse d'e voquer l'histoire contemporaine et en subit nettement l'influence. La confrontation avec les historiens re ve le que Le Labyrinthe du monde refle te avec fide lite les e ve nements politiques, les re alite s sociales et les mentalite s du XIXe me et du de but du XXe me sie cles. Dans la repre sentation des sie cles passe s se profilent tre s fre quemment les pre occupations que vivent les contempora.

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Brian Neve

"In 1999 Elia Kazan received an honorary Oscar for lifetime achievement; it was a controversial award, for in 1952 he had cooperated with the House Committee on Un-American Activities, for which he was ostracized by many. Kazan's life and work in the cinema are due a reassessment - one that is presented by Brian Neve in this book, drawing on neglected archive sources, including Kazan's own papers, and situating Kazan within the culture and politics of his times."--Jacket.

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Kate Linker

Noted and notorious for his conceptually based body art and performance pieces of the late 1960s and early 1970s, Vito Acconci has uniquely invigorated the American art scene for more than two decades and has exerted a profound influence on the current generation of artists. This first full-scale study of the artist's career traces the shift from his early "language pieces" to his first visual art in 1969 (photographs that recorded the actions of his body - bending, throwing, jumping - in a landscape) to the filmed live performances and provocative installations of the 1970s and to his sculptural furniture and architecture and the public projects of the 1980s and early 1990s.

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Ricardo Daza

"Mies van der Rohe in a steel and glass building smoking a cigar - this historical photograph of the world-famous architect fascinated and intrigued the author so much that he painstakingly researched the events surrounding it. He takes the reader step by step through all the architectonic and personal details in the photograph, interpreting and analysing them. With the tension of a detective story, he examines the evidence, makes deductions and gradually brings to light elements of Mies' biography, enhanced by attractive sequences of illustrations. From this one photograph the author draws a skillful picture of Mies - the architecture, the man and his character."--Jacket.