Constance

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Noley Reid

It's the summer of 1982 in Blacksburg, Virginia--seven years after the suspicious death of a son and sibling--and the Sobel family is hungry. Francie dresses in tennis skirts and ankle socks and weighs her grams of allotted carrots and iceberg lettuce. Her semi-estranged husband Tate prefers a packed fridge and hidden doughnuts. Daughters Enid, ten, and Vivvy, almost thirteen, are subtler versions of their parents, measuring their summer vacation by meals had or meals skipped. But at summer's end, secrets both old and new emerge and Francie disappears, leaving the family teetering on the brink. Told from alternating points of view by the four living Sobels, Pretend We Are Lovely is a sharp and darkly funny story of forgiveness, family secrets, and the losses we inherit. At its core is the ever-complicated and deeply-devoted bond of sisterhood as the girls, left mostly to their own devices, must navigate their way through middle school, find comfort in each other, and learn the difference between food and nourishment.

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Karen Kingsbury

A story of secrets, broken relationships, and a love strong enough to reunite a family. A stirring novel from New York Times bestselling author Karen Kingsbury.

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Emily Bitto

On her first day at a new school, Lily befriends one of the daughters of infamous avant-garde painter Evan Trentham. He and his wife are trying to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work at their family home. Lily becomes infatuated with this wild, makeshift family and longs to truly be part of it. As the years pass, Lily observes the way the lives of these artists come to reflect the same themes as their art: Faustian bargains and spectacular falls from grace. Yet it's not Evan, but his daughters, who pay the price for his radicalism. An engrossing story of ambitions, sacrifice, and compromised loyalties. --

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Matt Haig

Terence Cave, intellectual, music-lover and owner of Cave Antiques, has experienced more than his share of tragedies. His mother's suicide and his young wife's death at the hands of burglars left him to bring up his young twins alone. And now one of them has died in a grotesque accident as a result of bullying. Bryony, the remaining twin, has always been the family's great hope: a golden teenager, in love with her cello and her pony, clever, sweet and eager to please. Now that she is all Terence has left, he realises that his one duty in life is to keep her safe from the world's malign forces, whatever that may take. As he starts to follow his grieving daughter's movements, and enforces a draconian set of rules purely for her own safety, the voices in his head convince him to protect her innocence at any cost. The Possession on Mr Cave is both a nightmare of Gothic proportions and a story of distorted love, with chilling resonance for anyone who has been a parent or a frustrated teenager. In this compulsive novel, the characteristic black humour of The Last Family in England and The Dead Fathers Club moves even further onto the dark side. Matt Haig lays bare the process by which Terence's love for Bryony becomes a possessive force that will lead to destruction and, ultimately, murder.