Movie classics
Marc Perlman
Describes and analyzes seven classic movies, from "Metropolis" to "Annie Hall," and places them in the context of cinema history.

by Mary O'Neill (2005)
"This is the first full-length study of the courtly love songs of the trouvere to address the central musical problems of the repertoire as a whole, embracing source studies, interpretation, historiography, and analysis. The argument of the book revolves around three axes, each of which is essential to the appreciation of the others: problems concerning the extant manuscript tradition, the crucial role of orality, and stylistic changes and plurality in the reperotire." "A full overview of the musical sources and notation is undertaken. This reveals the idiosyncrasies of individual manuscripts but, more importantly, it identifies two basic phases in the manuscript tradition. The study of melodic variants reveals the performance art that lies at the heart of the courtly grand chant. Individual songs are analysed, and processes and techniques of variation are examined, bringing us to a closer understanding of the tenets of the melodic art of the early trouveres."--Jacket.
Marc Perlman
Describes and analyzes seven classic movies, from "Metropolis" to "Annie Hall," and places them in the context of cinema history.
Lilian R. Furst
"While Countless Memoirs have been written about depression and therapy, no one has examined how the "talking cure" of psychotherapy is presented in novels and other works of literature. Beginning with an overview of the principles of psychotherapy and its growing use as a treatment for mental and emotional disorders, Lilian R. Furst addresses the patient's view of the value of talk."--BOOK JACKET. "Furst examines such well-known works as Roth's Portnoy's Complaint, Plath's The Bell Jar, and Lodge's Therapy, as well as lesser-known novels, to discuss how patients react to psychotherapy as a cure for mental and emotional disorders."--BOOK JACKET.
Kirby Flower Smith
This is the first full and detailed commentary on the second book of Tibullus' elegies since K. F. Smith's edition of 1913. It takes into account every significant advance in scholarship since then both on Tibullus and elegy in general. The book provides an authoritative Latin text, based on the definitive Oxford Classical Text; an introduction covering such topics as the chronology of Book II, its completeness and construction, and the main characters of the poems; and a comprehensive commentary discussing all aspects of linguistic and literary interest in the poems: the problems of reference and interpretation, for instance, as well diction, style, themes, and metre. There are also introductory essays on each poem, discussing the background situation, genre, and main models. A critical appendix looks at all the textual points that substantially affect the understanding and appreciation of the elegies, a structural appendix explores the structure of the individual poems, and there are full indices.
Robin Blaser
"Spanning four decades of meditation on the avant-garde in poetry, art, and philosophy, the essays collected in The Fire reveal Robin Blaser's strikingly fresh perspective on "New American" poets, deconstructive philosophies, current events, and the state of humanities now. His response to the cultural and political events of his time has been to construct a poetic voice that offers a singular perspective on a shareable world - and to pose that voice alongside others as a source of countermemory and potential agency. Conceived as conversations, these essays brilliantly reflect that ethos as they re-read the cultural events of the past fifty years."--Publisher description.