by Ruth Rendell (1995)
Few people under the age of seventeen have read the whole of Virgil in Latin and witnessed two murders. But Liza Beck is no ordinary teenager. She has grown up alone with her mother, Eve, in the remote gatekeeper's cottage of magnificent Shrove House. Here Liza has been nourished by books and her mother's obsessive love, carefully shielded from the "contamination" of the outside world. No newpapers, no TV, no phone, no car, no school. Liza knows perfectly well she can never leave Shrove House, or her mother, to go with the handsome young drifter who tends the garden. Then one day the police come and take Eve away forever—and now Sean Holford will find out, little by little, all about Liza's past and her mother's fierce, mysterious claim to Shrove House. And to his growing horror, he'll learn about all the men who came there-and never left alive.
Kerstin Ekman
After moving to the remote town of Blackwater in northern Sweden to join her lover, Annie Raft stumbles upon a brutal double murder that remains unsolved for twenty years, until the day she sees her grown daughter in the arms of the man Annie saw leavingthe scene of the crime.
Dick Francis
A grisly accident has left Neil Griffon in charge of his father's stables. A grisly assault and abduction have left him at the mercy of masked thugs. And a grisly crime czar wants one of his horses. Any horse at all. As long as it's Archangel. As long as his son can ride in the Derby. And win. Or else.
Julianna Deering
"Set in 1930s England, Drew and his fiancée, Madeline, answer a plea for help from an old flame of Drew's, discovering murder--and more--behind the scenes of a theater production"--
C.S. Forester
The Pursued is set against the quiet London suburbs of the 1930s and the daily life of a seemingly happy married couple. The prose is fast, pared-down and psychologically loaded, creating its own brand of English noir. Opening with a mysterious death, the plot reveals the inner workings of Marjorie and Ted's marriage, flecked with domestic abuse and sexual sado-masochism. Its thriller elements are blended with radical gender politics through this channel of disgruntled domesticity. A reader coming new to C S Forester might be forgiven for thinking this writer a woman. The domestic drudgery of Marjorie's everyday life is imagined in minute detail – the washing, cooking, shopping, the children, and the husband's tyrannical demands. The fulminating passions, the quiet rage, and the burning desire for violent revenge belongs largely to the disenfranchised female characters. Marjorie looks at her spinster friends – the newly independent, career-minded women of the 1930s – with a fear that she overcomes. Her mother, seemingly mild and meek, seethes with the sly, unquenchable vengeance of Clytemnestra.