Cover of Dancing at Lughnasa
Read Time: ~1.7 hr

Dancing at Lughnasa

by Joan FitzPatrick Dean (2003)

About this book

Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts.

Setting / LocationGlobal
Story EraModern Era
Protagonist / CoreDancing at Lughnasa Lead Character

Readers who enjoyed this also loved

Cover of The novel and the American left

The novel and the American left

Janet Galligani Casey

"The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional "'American modernism" syllabi and research agendas." "The selected essays take up, among others, such "hard-core" leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless "lost" novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck's The Grapes of Wrath." "This volume will be of interest not only to literary specialists but also to historians, social scientists, and students of American cultural studies."--BOOK JACKET.

Cover of Le roman national

Le roman national

Jacques Pelletier

Production littéraire québécoise (oeuvres romanesques) et question nationale. Trois essais consacrés respectivement à Jacques Godbout, Victor-Lévy Beaulieu et André Major. Les analyses et les interprétations de l'auteur se situent dans la tradition marxienne de Lukacs et Goldmann. Les textes réunis ont été ébauchés au tournant des années 1980. Selon R. Saletti, l'oeuvre "n'échappe pas aux contraintes d'une vision déterministe de l'Histoire".

Cover of La autoridad política y el poder de las letras en el Siglo de Oro

La autoridad política y el poder de las letras en el Siglo de Oro

Jesús M. Usunáriz, Edwin Williamson (eds

"Este libro examina las opiniones -críticas feroces y grotescas o alabanzas cortesanas- sobre la figura de los validos y favoritos; se analiza el profundo impacto que suscitaron las tesis de Maquiavelo en las obras de poetas y tratadistas. Calderón, Cervantes, Quevedo, Alemán, Lope de Vega, Guevara, Gracián, Ribadeneyra y un gran número de autores (teólogos, historiadores, arbitristas...) aparecen en estas páginas como hombres que conocían y participaban de los retos políticos y sociales de su época."--P. [4] of cover.

Cover of Shakespeare's monarchies

Shakespeare's monarchies

Constance Jordan

Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan reveals Shakespeare's investment in the idea that a head of state should be responsive to law, and not be governed by his unbridled will. Conflicts within royal courts which occur in the romances show wives, daughters, and servants resisting tyrannical husbands, fathers, masters, and monarchs by relying on the authority of conscience. Shakespeare's Monarchies recognizes the romances as politically inflected texts and confirms Shakespeare's involvement in the public discourse of the period.

Dancing at Lughnasa by Joan FitzPatrick Dean | Literally Just Books