"Virus hunter" Christopher Dicken is a man on a mission, following a trail of rumors, government cover-ups, and dead bodies around the globe in search of a mysterious disease that strikes only pregnant women and invariably results in miscarriage. But when Dicken finds what he's looking for, the answer proves to be stranger--and far deadlier--than he ever could have imagined. Something that has slept in human DNA for millions of years is waking up.Molecular biologist Kaye Lang has spent her career tracing ancient retroviruses in the human genome. She believes these microscopic fossils can come to life again. But when Dicken's discovery becomes public, Lang's theory suddenly turns to chilling fact. As the outbreak of this terrifying disease threatens to become a deadly epidemic, Dicken and Lang must race against time to assemble the pieces of a puzzle only they are equipped to solve--an evolutionary puzzle that will determine the future of the human race . . . if a future exists at all.
Miles Vorkosigan launches a campaign to win the heart of Ekatarina, whose former husband died as a result of Miles' investigations in the book *Komarr*, by the same author. As a member of the Vor class, Miles and Ekatarina are constrained by many social strictures. Because Miles is politically important, he and his actions are under close scrutiny and subject to various forms of political and social attack. The book is a comedy of manners, very well done so that we seldom look up and wonder why the characters don't just cut to the chase.
In the old century, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes.
Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power. As their dreams grow harder, darker, fiercer, so do the Gentry themselves -- appearing, to those with the sight to see them, as hard and dangerous men, invariably dressed in black.
Bettina can see the Gentry, and knows them for what they are. Part Indian, part Mexican, she was raised by her grandmother to understand the spirit world. Now she lives in Kellygnow, a massive old house run as an arts colony on the outskirts of Newford, a world away from the Southwestern desert of her youth. Outside her nighttime window, she often spies the dark men, squatting in the snow, smoking, brooding, waiting. She calls them los lobos, the wolves, and stays clear of them -- until the night one follows her to the woods, and takes her hand....
Ellie, and independent young sculptor, is another with magic in her blood, bus she refuses to believe it, even though she, too, sees the dark men. A strange old woman has summoned Ellie to Kellygnow to create a mask for her based on an ancient Celtic artifact. It is the mask of the mythic Summer King -- another thing that Ellie does not believe in. Yet lack of belief won't dim the power of the mask, or its dreadful intent.
Once again Charles de Lint weaves the mythic traditions of many cultures into a seamless cloth, bringing folklore, music, and unforgettable characters to life on modern city streets.
PRISONER OF NEW HALF-WAY TREE It's Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. But to young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival--until her power-corrupted father commits an unforgivable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree. Here monstrous creatures from folklore are real, and the humans are violent outcasts in the wilds. Here Tan-Tan must reach into the heart of myth--and become the Robber Queen herself. For only the Robber Queen's legendary powers can save her life . . . and set her free.
The Man in the High Castle is an alternate history novel by American writer Philip K. Dick. Published and set in 1962, the novel takes place fifteen years after an alternative ending to World War II, and concerns intrigues between the victorious Axis Powers—primarily, Imperial Japan and Nazi Germany—as they rule over the former United States, as well as daily life under the resulting totalitarian rule. The Man in the High Castle won the Hugo Award for Best Novel in 1963. Beginning in 2015, the book was adapted as a multi-season TV series, with Dick's daughter, Isa Dick Hackett, serving as one of the show's producers.
Reported inspirations include Ward Moore's alternate Civil War history, Bring the Jubilee (1953), various classic World War II histories, and the I Ching (referred to in the novel). The novel features a "novel within the novel" comprising an alternate history within this alternate history wherein the Allies defeat the Axis (though in a manner distinct from the actual historical outcome).
Darwin's Radio by Greg Bear | Literally Just Books
