Die schwedische Rezeption zentraler Begriffe der deutschen Frühromantik

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Úna Ní Bhroiméil

Gaelicization was a deliberate attempt to reclaim the distinctive identity and civilization of the Irish people. The Irish language was at its core. At the end of the 19th century there was a flowering of Irish cultural nationalism in Ireland and in the United States. Although there was a substantial body of Irish speakers in America, language maintenance was not a priority for them. Rather, the formation of Gaelic societies and the cultivation of the Irish language became a building block of ethnic pride. This embracing of ethnicity in its most advantageous form became a tool of assimilation for the American Irish. Although the Gaelic movements in Ireland and in the United States appeared to be one, they were separate with different focuses. To the Gaelic League in Ireland, the language movement in the United States was an inspiration and a valuable financial resource. The League's missions to America were primarily fund-raising tours for the home organization. The Gaelic societies in the United States were focused primarily on the American Irish and on their need for asserting a distinctive and cultured identity in the new world. -- Publisher description

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interviews and conversations with John C. Tibbetts

Schumann: A Chorus of Voices is a significant contribution to Schumann's 200th-birthday year, 2010. In these hitherto unpublished interviews and conversations, more than thirty biographers, musicians, critics, and commentators offer their own unique perspectives on Schumann's life, work, controversies, and place in the history of Romantic music. Gathered by Schumann scholar John C. Tibbetts during more than thirty years of travel and research, these intimate and informal talks take the reader "backstage" to the rehearsal hall, scholar's study, archive, and music festival. Included are musicians Dietrich Fischer-Dieskau, Erich Leinsdorf, Jörg Demus, Emanuel Ax, Elly Ameling, Thomas Hampson, Steven Isserlis, Marin Alsop; scholars and biographers Jacques Barzun, Nancy B. Reich, Peter Ostwald, Leon Plantinga, and Larry Todd; critics and commentators Martin Bookspan, Eugenia Zuckerman, and Maurice Sendak; and archivists Gerd Nauhaus, Ute Baer, and Joachim Draheim. The accompanying disc features Van Cliburn Gold Medalist Jose Feghali performing and discussing Schumann's Carnaval, Opus 9, and pianist Ronald Brautigam performing the complete Noveletten, Opus 21 [Publisher description].

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Neil Robinson

Set in the Nova Scotian settlement at Waipu, Northland, in 1860. Set against a montage of bushmen working the virgin kauri forests of Northland, merchants and street-wise opportunists in the young town of Auckland, and sea-faring traders of goods, men and human souls in the tropical islands of New Caledonia and the New Hebrides. This is the story of young Donald McKinnon, on his rite of passage, attempting to question the methods and ideas of the minister, Norman McLeod. He struggles with the expectations and values of his Presbyterian community, as he learns to express his love for the 'beautiful and good' Jessie McKay.

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John Sutherland

In Is Heathcliff a Murderer? (well, is he?) John Sutherland investigates thirty-four conundrums of nineteenth-century fiction. Applying these 'real world' questions to fiction is not in any sense intended to catch out the novelists who are invariably cleverer than their most defectively inclined readers. Typically, one finds a reason for the seeming anomaly. Not blunders, that is, but unexpected felicities and ingenious justifications. In Is Heathcliff a Murderer? John Sutherland, recently described by Tony Tanner as 'a sort of Sherlock Holmes of literature', pays homage to the most rewarding of critical activities, close reading and the pleasures of good-natured pedantry.