A vivid and funny first novel about three generations of a Cuban family divided by conflicting loyalties over the Cuban revolution, set in the world of Havana in the 1970s and '80s and in an emigre neighborhood of Brooklyn. It is a story of immense charm about women and politics, women and witchcraft, women and their men.
Setting / LocationNew York City
Story EraModern Era
Protagonist / CoreDreaming in Cuban Lead Character
"Jim Hutchins is holding a twelve gauge shotgun on his sworn enemy, his well-to-do brother-in-law, Emory Holler. What has made Jim snap?"--BOOK JACKET. "Well, Emory is rich because he's collected the insurance money for the supposedly accidental death of his wife, Jim's only sister. Pauline, Jim's wife, spends her spare time dancing naked for Emory. And Jim's best - his only - friend has suddenly died of an embolism."--BOOK JACKET. "In addition, the IRS is dunning Jim for back taxes; the town is about to seize the land on which the Hutchins have been living, in a trailer, since their house burned down; and each of his living children - two sons and a daughter - is in some sort of bizarre difficulty. Besides this, there is a panty thief roaming the area."--BOOK JACKET. "You might think this is enough for any man to confront but there is more, much more. Jim, an indomitable hero, shows us the hidden side of his small New Hampshire town with humor and penetrating insight into human frailty."--BOOK JACKET.
From the Pulitzer Prize-winning playwright and author of the essay collection Shiksa Goddess ("Utterly delicious"--Judith Thurman), a dazzling debut novel, a comedy about New York's urban gentry living in a post-9/11 world--the arbiters of fashion and the doyennes of charity balls; about the rich and the nouveau rich(er), the glamorous and the desperate to be.We meet Francesca Weissman, the Upper East Side pediatrician rated number one by Manhattan magazine, who takes us into the upper strata of privilege and aspiration (she's originally from Queens with a father in hosiery; life on the fringes of glittering New York is fine with her) . . . Samantha Acton, thoroughbred descendant of the Van Rensselaers and the Carnegies, who defines the social order in the great tradition of Mrs. Astor and Babe Paley . . . Judy Tremont from Modesto, California, daughter of a cop--her life's work, her obsession, is New York society and its richest families . . . Barry Santorini, Republican, moviemaker, winner of twelve Oscars, and his wife, the Italian supermarket heiress and former media rep for Giorgio Armani . . . and many more. As Elements of Style opens out, we see a madcap mosaic of the social lives and mores of twenty-first century Manhattan--of romance, work, family, and friendship. Satiric, fierce, touching--and deliciously Wasserstein."Pure Wendy! She effortlessly makes the leap from stage to page with a novel that is loving, compassionate, flat-out funny. Wendy loved the word 'scintillating,' which is the best way to describe her stunning Elements of Style."--John Guare"Wasserstein gets the trappings and tribulations (of friendship and of romance) right, making her depiction of the rich and fab trying to connect with one another witty and entertaining."--Publishers Weekly"Bold, nimble, and funny to its fingertips, Elements of Style is a delight, a triumph. A book that no self-respecting New Yorker should be without. Those cursed with the hell of multiple residences will self-evidently need several copies--and spares, for houseguests."--Flora FraserFrom the Hardcover edition.
Every evening at five o'clock, Christina and Rudy stopped work and began the ritual commonly known as Happy Hour. Rudy mixed Christina's drink with loving precision, the cavalier slosh of Bombay Sapphire over ice shards, before settling across from her in his Stickley chair with his glass of Scotch. They shared a love of language and music (she is an author, he a composer, after all), a delight in intense conversation, a fascination with popes, and nearly thirty years of life together.What did I think, that we had forever? muses Christina, seven months after Rudy's unexpected death. While coming to terms with her loss, with the space that Rudy once inhabited, Christina reflects on their vibrant bond--with all its quirks, habits, and unguarded moments--as well as her passionate sorrow and her attempts to reposition herself and her new place in the very real world they shared.In this literary jewel, a bittersweet novella of absence and presence and the mysterious gap between them, Gail Godwin has performed a small miracle. In essence, Evenings at Five is a grief sonata for solo instrument transposed into words. Interwoven with meditations and movements, full of aching truths and a wicked sense of humor, it exquisitely captures the cyclical nature of commitment--and the eternal quality of a romance completed.
"Trey Ellis's debut novel, Platitudes, first published in 1988, takes on conflicts within the African American literary community. Dewayne Wellington, a failing black experimental novelist, and Isshee Ayam, a radical feminist author, collaborate on Dewayne's latest sexist comedy. Alternately telling the story about the coming of age of Earle and Dorothy - two black middle-class teenagers, sex-starved in New York City - the battling writers sneak ever, and dangerously, closer to reconciling their literary disputes." "This edition of Platitudes also includes "The New Black Aesthetic," a groundbreaking essay by Ellis that appeared in the journal Callaloo."--Jacket.
Dreaming in Cuban by Cristina García | Literally Just Books
