Sgt. Don Malarkey takes us not only into the battles fought from Normandy to Germany, but into the heart and mind of a soldier who beat the odds to become an elite paratrooper, and lost his best friend during the nightmarish engagement at Bastogne. Drafted in 1942, Malarkey became one of the one-in-six soldiers who earned their Eagle wings. He went to England in 1943 to provide cover on the ground for the largest amphibious military attack in history: Operation Overlord. In the darkness of D-day morning, Malarkey parachuted into France and within days was awarded a Bronze Star for his heroism in battle. He fought for twenty-three days in Normandy, nearly eighty in Holland, thirty-nine in Bastogne, and nearly thirty more in and near Haugenau, France, and the Ruhr pocket in Germany. This is his epic story of how an adventurous kid from Oregon became a leader of men.--From publisher description.
Setting / LocationLondon & UK
Story EraModern Era
Protagonist / CoreEasy Company soldier Lead Character
"The true story of Ian Fleming's Second World War unit, the real-life inspiration for James Bond. In 1942, Lieutenant-Commander Ian Fleming RNVR was personal assistant to the Director of Naval Intelligence - the dynamic figure behind James Bond's fictional chief, 'M'. In the Admiralty, Fleming had a brilliant idea: why not set up a unit of authorised looters, men who would go in with front-line troops to steal enemy intelligence? Known as '30 Assault Unit', they took part in the landings in North Africa, Sicily and Normandy and helped liberate Paris. But 30AU really came into their own in Germany in 1945 and their final amazing coup was to seize the entire archives of the German Navy - over 300 tons of documents. Ian Fleming flew out in person to bring the loot back to Britain, where it was combed for evidence to use in the Nuremberg trials. In this gripping and highly enjoyable book, Nicholas Rankin, author of the bestselling Churchill's Wizards, puts 30 Assault Unit's fascinating story in a strategic and intelligence context. He also argues that Ian Fleming's Second World War service was one of the most significant periods of his life - without this, the most popular spy fiction of the twentieth century would not have been written"--Publisher's website.
The nightmares began for William Manchester 23 years after WW II. In his dreams he lived with the recurring image of a battle-weary youth (himself), "angrily demanding to know what had happened to the three decades since he had laid down his arms." To find out, Manchester visited those places in the Pacific where as a young Marine he fought the Japanese, and in this book examines his experiences in the line with his fellow soldiers (his "brothers"). He gives us an honest and unabashedly emotional account of his part in the war in the Pacific. "The most moving memoir of combat on WW II that I have ever read. A testimony to the fortitude of man...a gripping, haunting, book." --William L. Shirer
"This is the first full-length account of one of the most aggressive, dynamic, and successful combat leaders produced by either side in the Civil War. Based heavily on primary source material, the work chronicles the transformation of the self-assured son of a broken Bosten Brahmin family from a young, militarily inexperienced lawyer into a formidable warrior.". "Born into the Unitarian-Transcendentalist circle, which dominated New England intellectual and cultural life before the Civil War, Barlow attended the school run by the famous Brook Farm commune. From an early age he was noted for fearlessness in both speech and action - two characteristics that marked his conduct and affected his later careers. Barlow's unquestioning sense of his own intellectual and moral superiority was the source of his success as a combat officer during the war. He trained and drove his men hard, and they became one of the army's elite units in the process. Barlow's steadfast belief in himself led him to command from the front, winning respect of his troops, recognition from his superiors, public acclaim, and, often, success for his cause. Possessing innate self-confidence and almost heedless bravery in equal measure, Barlow rose from private to major general. He was heavily engaged in almost all the major battles of the Army of the Potomac beginning as a regimental colonel on the Peninsula in 1862 and finishing his career as commander of the first division in the vaunted II Corps during Grant's campaigns against Richmond in 1864. Throughout his military career, Barlow carved out a record as a fighting man that few could match and none could excel.". "Twice wounded, first at Antietam and then Gettysburg, Barlow consistently took his men into the hottest spots in most pivotal actions during Grant's bloody campaign against Lee.". "After the war, Barlow alternated a legal career with service in New York State government. As New York's attorney general he initiated suits against the Tweed Ring and other corrupt malefactors. Barlow's unfiltered forthrightness and unyielding ethics placed him at a disadvantage in the rough-and-tumble democratic politics of the late nineteenth century. His candid report exposing corruption involved in the successful Republican campaign to win the White House for Rutherford B. Hayes in 1876 cost him whatever hopes he had for a further political career. Barlow returned to private life, pursued a successful legal career, and died relatively unknown in 1896."--BOOK JACKET.
One of the leading choreographers in ballet over the last half century, Antony Tudor is considered the most lyrical and emotionally powerful of modern ballet masters, acclaimed for his imaginative use of music and his commitment to dramatic plot. Comparable in achievement to George Balanchine and Frederick Ashton, Tudor created over sixty ballets, including his masterpieces Jardin aux Lilas, Dark Elegies, Romeo and Juliet, and the incomparable Pillar of Fire. He was instrumental in the establishment of the American Ballet Theater and its rise to prominence as one of the world's great ballet companies. Now Judith Chazin-Bennahum, an accomplished author and a former ballerina and student of Tudor's, steps forward to deliver the first comprehensive, ballet by ballet examination of Tudor's choreography. Meticulously researched, lively and insightful, The Ballets of Antony Tudor: Studies in Psyche and Satire opens the way for dance aficionados to better appreciate and preserve the artistic legacy of one of this century's major innovators. Long-ago performances come thrillingly to life, from Tudor's fledgling efforts with Marie Rambert's Ballet Club in London, to his tenure as a founding member and principal choreographer of ABT, to his subsequent career as a contributor to the New York City Ballet, the Metropolitan Opera Ballet, and as a celebrated teacher at Juilliard. Chazin-Bennahum draws extensively from her interviews with Tudor before his death in 1987, and her own experience in his famous classes and rehearsals. Her superbly documented research uncovers program notes, reviews, rare photographs and stills of original productions, and interviews with scores of men and women who played a part in Tudor's achievement. Choreographers and dancers from Agnes de Mille and Nora Kaye to Jerome Robbins and Gelsey Kirkland discuss their debt to Tudor, and his role in the evolution of dance. While not a biography in the traditional sense, the book does shed fascinating light on the private life of Antony Tudor. He was born William Cook, the son of a butcher in London's East End, in 1908, and Chazin-Bennahum's analysis reveals how deeply his life informed his art. "I never do a ballet that does not concern the bourgeoisie," Tudor once said. Of course, Tudor's experience was shaped by more than class: Like Picasso, writes the author, Tudor was a child of our century, reacting to its wars, its destruction and its persecution of women and children in the language he knew best. Original and engaging, The Ballets of Antony Tudor brilliantly explicates the hidden desire, brutality, violence towards women, isolation, and unrequited love that are common themes in Tudor's ballets, illuminating the rich psychological nuance and intimacy of gesture with which he transformed his art.
Easy Company soldier by Don Malarkey with Bob Welch | Literally Just Books
