El oro del rey

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Arturo Pérez Reverte

Tercera entrega de Las aventuras del capitán Alatriste, El sol de Breda escenifica las batallas y el asedio de la ciudad de Breda en 1625 por los Tercios españoles en Flandes. El joven vasco Íñigo de Balboa es el narrador, como siempre, pero ahora adquiere en este relato un papel más protagonista: es mochilero del tercio viejo de Cartagena, donde sirve de ayudante a su amo el capitán Alatriste, y empuña por primera vez las armas en el combate. Íñigo será, en esta aventura, testigo del sometimiento de la ciudad por las tropas españolas, y describirá años más tarde al pintor Diego Velázquez, para que los inmortalice en un famoso cuadro, los rostros de los participantes en la batalla: el general Ambrosio Spínola, un respetado guerrero con dotes de político, que abortará el conato de un motín de las tropas, hartas de pelear sin que vean recompensados sus esfuerzos con una paga que nunca llega, y que el general les adelantará de sus acaudaladas arcas o el maestre de campo Pedro de la Daga, despreciativo con sus tropas hasta la crueldad, o el dubitativo capitán Carmelo Bragado y el valiente soldado Sebastián Copons, veteranos todos de las pasadas guerras en Nápoles y camaradas del capitán Alatriste.

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Christina Dodd

"A su regreso de la Santa Cruzada, Raymond, conde de Avraché, confidente del rey y primo de la reina de Inglaterra, debe contraer matrimonio por orden del monarca con Juliana de Lofts, una rica heredera y señora de dos importantes castillos. Sin embargo, los hechos no siguen el curso esperado: en varias ocasiones, y sin posteriores disculpas, la dama lo ha dejado plantado frente al altar, convirtiéndolo en el hazmerreír de la corte. ¿Qué razones se ocultan tras el comportamiento de lady Juliana? Raymond decide averiguarlas y, para ello, oculta su identidad y se presenta ante tan difícil señora como maese constructor. Aunque existe un pequeño problema: ¡desconoce el arte de edificar fortalezas o barreras de defensa! Bajo este disfraz, el caballero penetrará en el interior del castillo y descubrirá a una delicada dama de valor y astucia incomparables, una madre entregada y mujer indomable que guarda un secreto insospechado."--Page 4 of cover. Ordered by the king himself to marry a man she does not know, Lady Juliana refuses and barricades herself behind castle walls, but her resolve begins to melt with the arrival of her intended, Raymond, the handsome Count of Avrache.

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Günter Grass

*Die Blechtrommel* ist ein Roman von Günter Grass. Er erschien 1959 als Auftakt der Danziger Trilogie und gehört zu den meistgelesenen Romanen der deutschen Nachkriegsliteratur. Der Roman lässt sich als historischer Roman, Zeitroman, Schelmenroman und Entwicklungsroman charakterisieren. Set against the backcloth of National Socialism, [this novel] is told in the first person by the central figure, Oskar Matzerath, tracing Oskar's history, beginning with his grandparents, and finishing at his thirtieth birthday (1954). Oskar is a dwarf, whose passion is his tin drum, which exercises some of the power of the Pied Piper's pipe, and he possesses a voice which is capable of breaking glass of all kinds at considerable range. The magic of Oskar's voice is matched by his ability to arrest his growth, but here, as elsewhere, the book moves on two planes, for the adult burgher world believes that his failure to develop is due to a fall. The grotesque figure of Oskar is accompanied by a grotesque series of happenings throughout his life, especially the eccentric deaths of those around him ... Oskar is finally condemned for a murder he has not committed and placed in a mental hospital. Oskar's detachment from the normal world enables him to comment upon it, and the book presents a dry and ironic review of the history of Oskar's times from the standpoint of Danzig, which was his home [as well as the author's].-The Oxford Companion to German Literature.

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Pierre Louÿs

This was "the only only complete English version extant" of a novel originally in French about a courtesan living in ancient Alexandria. The book is lavishly illustrated, but is sloppy in other ways. For instance, every time there is a full page illustration (and there are many) the page numbering skips, and the margins of the page are not evenly wide. This is the kind of book that you had to cut the pages with a knife before you could read it. You could call the story erotica, but it is no worse than The Decameron or Chaucer. It must have been pretty hot reading in 1906. The book has a page stating "This Edition on Large Paper is limited to 1000 copies of which this is No......" but nobody bothered to fill in the number, so I would guess that more than 1,000 of these were printed.