Cover of El Zorro
Read Time: ~7.3 hr

El Zorro

by Isabel Allende (2005)

About this book

*El Zorro: comienza la leyenda* es una biografía ficticia de 2005 y la primera historia de los orígenes del héroe El Zorro, escrita por la autora chilena Isabel Allende. Es una precuela a los eventos de la historia original del Zorro, la novela *La maldición de Capistrano,* escrita por Johnston McCulley y publicada en 1919. También contiene numerosas referencias a otros trabajos relacionados con El Zorro, especialmente la película de 1998 *La máscara del Zorro.*

Setting / LocationNew York City
Story EraContemporary / Future
Protagonist / CoreEl Zorro Lead Character

Readers who enjoyed this also loved

Cover of Debates in the digital humanities

Debates in the digital humanities

[edited by] Matthew K. Gold

" Encompassing new technologies, research methods, and opportunities for collaborative scholarship and open-source peer review, as well as innovative ways of sharing knowledge and teaching, the digital humanities promises to transform the liberal arts--and perhaps the university itself. Indeed, at a time when many academic institutions are facing austerity budgets, digital humanities programs have been able to hire new faculty, establish new centers and initiatives, and attract multimillion-dollar grants. Clearly the digital humanities has reached a significant moment in its brief history. But what sort of moment is it? Debates in the Digital Humanities brings together leading figures in the field to explore its theories, methods, and practices and to clarify its multiple possibilities and tensions. From defining what a digital humanist is and determining whether the field has (or needs) theoretical grounding, to discussions of coding as scholarship and trends in data-driven research, this cutting-edge volume delineates the current state of the digital humanities and envisions potential futures and challenges. At the same time, several essays aim pointed critiques at the field for its lack of attention to race, gender, class, and sexuality; the inadequate level of diversity among its practitioners; its absence of political commitment; and its preference for research over teaching.Together, the essays in Debates in the Digital Humanities--which will be published both as a printed book and later as an ongoing, open-access website--suggest that the digital humanities is uniquely positioned to contribute to the revival of the humanities and academic life.Contributors: Bryan Alexander, National Institute for Technology in Liberal Education; Rafael Alvarado, U of Virginia; Jamie "Skye" Bianco, U of Pittsburgh; Ian Bogost, Georgia Institute of Technology; Stephen Brier, CUNY Graduate Center; Daniel J. Cohen, George Mason U; Cathy N. Davidson, Duke U; Rebecca Frost Davis, National Institute for Technology in Liberal Education; Johanna Drucker, U of California, Los Angeles; Amy E. Earhart, Texas A&M U; Charlie Edwards; Kathleen Fitzpatrick, Pomona College; Julia Flanders, Brown U; Neil Fraistat, U of Maryland; Paul Fyfe, Florida State U; Michael Gavin, Rice U; David Greetham, CUNY Graduate Center; Jim Groom, U of Mary Washington; Gary Hall, Coventry U, UK; Mills Kelly, George Mason U; Matthew Kirschenbaum, U of Maryland; Alan Liu, U of California, Santa Barbara; Elizabeth Losh, U of California, San Diego; Lev Manovich, U of California, San Diego; Willard McCarty, King's College London; Tara McPherson, U of Southern California; Bethany Nowviskie, U of Virginia; Trevor Owens, Library of Congress; William Pannapacker, Hope College; Dave Parry, U of Texas at Dallas; Stephen Ramsay, U of Nebraska, Lincoln; Alexander Reid, SUNY at Buffalo; Geoffrey Rockwell, Canadian Institute for Research Computing in the Arts; Mark L. Sample, George Mason U; Tom Scheinfeldt, George Mason U; Kathleen Marie Smith; Lisa Spiro, National Institute for Technology in Liberal Education; Patrik Svensson, Umeå U; Luke Waltzer, Baruch College; Matthew Wilkens, U of Notre Dame; George H. Williams, U of South Carolina Upstate; Michael Witmore, Folger Shakespeare Library"--

Cover of A new deal for New York

A new deal for New York

Mike Wallace

"In the wake of the September 11th attacks, Mike Wallace argues that we should not just rebuild but rethink and plan more broadly for the entire city's future. He tells the fascinating and largely unknown history of the financial center, exploding a variety of myths about the city's success in recent years. He speaks freshly and convincingly about the options for rebuilding Downtown, and he summarizes a wide variety of ambitious but viable projects to improve all of New York by launching what he calls a "new New Deal" - a multi-pronged plan that, mindful of both the successes and disappointments of the original New Deal, would feature such longed-for improvements as a revitalized port, improved mass transit, and more affordable housing." "Drawing on examples from the city's colorful past to show how New Yorkers have always faced difficult occasions with ingenuity, confidence, and vigor, Wallace argues that we need "a touch of Jane Jacobs and a dash of Robert Moses," and he provocatively shows how we can afford it all."--BOOK JACKET.

Cover of The Iraq war

The Iraq war

Williamson Murray, Robert H. Scales, Jr

An in-depth analysis of the coalition invasion of Iraq, up to the 2003 fall of Baghdad. Drawing on their extensive expertise as military historians, the authors assess the opposing aims of the Coalition forces and the Iraqi regime and explain the day-to-day tactical and logistical decisions of infantry and air command, as British and American troops moved into Basra and Baghdad. They simultaneously step back to examine long-running debates within the U.S. Defense Department about the proper uses of military power and probe the strategic implications of those debates for America's buildup to this war. Surveying the immense changes that have occurred in America's armed forces between the Gulf conflicts of 1991 and 2003 -- changes in doctrine as well as weapons -- this volume reveals critical meanings and lessons about the new "American way of war" as it has unfolded in Iraq.

Cover of The bomb

The bomb

Stephen M. Younger

From his years at Los Alamos and the Nevada test site to his meetings with nuclear arms experts in Moscow, former weapons designer Stephen M. Younger has witnessed firsthand the making of nuclear policy. With a deep understanding of both the technology and the politics behind nuclear weapons, he guides us from the Manhattan Project to the Cold War and into the present day, illuminating how nuclear weapons fit into our globalized, war-plagued world. Does the Unites States genuinely need a massive stockpile in an era of precision bombs and missile defense? Under what circumstances might we need nuclear weapons in the future? How does the proliferation of weapons in the hands of other nations affect our own nuclear policy?--From publisher description.

El Zorro by Isabel Allende | Literally Just Books