English cottages

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Traute M. Marshall

"While most people are familiar with the Museum of Fine Arts and the Isabella Stewart Gardner Museum in Boston, few are aware of the scores of other wonderful museums throughout New England. From the Colby College Museum of Art to the Museum of Russian Icons and the National Museum of American Illustration, the cradle of American art is home to a dazzling abundance of cultural opportunities." "Traute M. Marshall has written this smart and engagingly personal guidebook for curious travelers, bringing to light the wealth of small and large art museums in the six New England states, ranging from world-class encyclopedic collections to more modest and specialized venues. While providing the information found in a traditional guidebook - addresses, websites, opening times, directions, and so forth - Marshall also offers readers informed and intimate introductions to the museums and their histories, holdings, traditions, and architecture. This guide also explains exhibition practices, the presentation of the permanent collection versus the attraction of temporary shows, the different educational activities offered, and the special relationship between a town or city and its art museum." "Each entry concludes with a special "PLUS" section designed to further enrich any visit. This might point you to other types of museums nearby, an architecturally distinctive building in the neighborhood, the home of a famous local artist, or other sites such as artist colonies or distinguished galleries, historic inns or restaurants, or even movies with some connection to the locale. Useful as both a resource for planning your next road trip and an essential glove- compartment companion, Art Museums PLUS is a must-have for New England natives and tourists alike."--BOOK JACKET.

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Andrew Linzey

In this collection of essays, Linzey counters with his customary wit, erudition, and insight, some contemporary (and perhaps surprising) challenges to animal rights -- from ecotheologians, the Church, and politicians. He contends that far from the sometimes shallow judgments of those who think animals unworthy of theological consideration, the Christian tradition has a wellspring of sources and resources available to taking animals seriously. Instead of being marginal to the Christian experience, Linzey concludes, animals can take their rightful place alongside human beings as creatures of the same God. There is a long forgotten spiritual tradition that two children, both named Jesus, were born in Bethlehem to two sets of parents named Joseph and Mary. This tradition is supported by the different accounts of the nativity and life of Jesus Christ in the gospels of Matthew and Luke. Although the Church chose to ignore this tradition, something of it survived in early Christian art and symbolism. The full tradition was preserved only in the literature of esoteric sects such as Gnosticism, which remained outside the official teachings of institutionalized Christianity. -- Provided by publisher. "I don't know why you're spending all your time on this. They're only animals--for heaven's sake!" That was the reaction of one of Andrew Linzey's fellow students at King's College, London, when he was studying theology in the 1970s. Since then, the now Rev. Dr. Andrew Linzey has been arguing that animals aren't only anything, but rather that they matter to God, and should do so to us. In this collection of essays, Linzey counters with his customary wit, erudition, and insight, some contemporary (and perhaps surprising) challenges to animal rights--from ecotheologians, the Church, and politicians. He contends that far from the sometimes shallow judgments of those who think animals unworthy of theological consideration, the Christian tradition has a wellspring of sources and resources available to taking animals seriously. Instead of being marginal to the Christian experience, Linzey concludes, animals can take their rightful place alongside human beings as creatures of the same God. There is a long forgotten spiritual tradition that two children, both named Jesus, were born in Bethlehem to two sets of parents named Joseph and Mary. This tradition is supported by the different accounts of the nativity and life of Jesus Christ in the gospels of Matthew and Luke. Although the Church chose to ignore this tradition, something of it survived in early Christian art and symbolism. The full tradition was preserved only in the literature of esoteric sects such as Gnosticism, which remained outside the official teachings of institutionalized Christianity. -- Provided by publisher.

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Hein-Th. Schulze Altcappenberg

"Over 500 years after their creation, all the extant drawings will be shown together for the first time at the Kulturforum, Berlin, the Scuderie Papali at Quirinale, Rome, and the Royal Academy of Arts, London. Each is illustrated in full colour in the catalogue and accompanied by a commentary on Botticelli's response to Dante's poem. They are followed by seven authoritative essays on aspects of Botticelli's and Dante's work, on Divine Comedy illustration in general and on the technique of Botticelli's drawings, illustrated in full colour throughout."--Jacket.

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Richard Knott

The Sketchbook War is not a book about art but the story of war artists. How men who had previously made a comfortable living painting in studios were transformed by military uniforms and experiences that were to shape the rest of their lives and the way in which we view war today. Following eight artists who formed a close bond on the frontline, we explore the experiences of: Edward Ardizzone, Edward Bawden, Anthony Gross, Thomas Hennell, Eric Ravilious, Albert Richards, Richard Seddon, and John Worsley. They all went abroad; many of them approached the front line; they heard guns firing in earnest; two were torpedoed; two were taken prisoner; and three died, two of them in 1945 when the war was nearly over. This book is about how war and art came together in a moving and dramatic way.