Experimental fictions

Sample

Robert Eisenhauer

"Mythic Paradigms in Literature, Philosophy, and the Arts approaches literary and visual texts from the perspective of Hesperian identification and representation. Included is the first translation into English of Fichte's Supplement of 1801, a document whose content sheds light not only on the atheism controversy of the 1790s, but also on literary/philosophical polarizations in the "Republic of Letters." Condensed from the Hesperian atmospherics of Italy and Latin elegy, Faust II entails a Goethean celebration of auditory and visual sensation. In a text devoted to Shelley, Gregory Corso is seen elaborating a prosopopoeia involving Hypnos, god of sleep, a figure dispelling the effects of reading - the hypnoticon. Eisenhauer reads Holderlin in the context of Pindar, philosophical idealism, and autobiographical projection."--BOOK JACKET.

Sample

Lilian R. Furst

"While Countless Memoirs have been written about depression and therapy, no one has examined how the "talking cure" of psychotherapy is presented in novels and other works of literature. Beginning with an overview of the principles of psychotherapy and its growing use as a treatment for mental and emotional disorders, Lilian R. Furst addresses the patient's view of the value of talk."--BOOK JACKET. "Furst examines such well-known works as Roth's Portnoy's Complaint, Plath's The Bell Jar, and Lodge's Therapy, as well as lesser-known novels, to discuss how patients react to psychotherapy as a cure for mental and emotional disorders."--BOOK JACKET.

Sample

Sylvie Maurel

This book examines Jean Rhys's writings through the frames of feminist criticism and literary theory, while providing close readings of the texts and of their language. It explores the various forms of feminine dissent at work in Jean Rhys's fiction. Jean Rhys is shown to develop an ethics of subversion through resistance to closure, irony, parody and her daring rewriting of Jane Eyre. Each novel is treated as an aesthetic whole, with substantial references to Jean Rhys's short stories, for a more penetrating insight into her fictional universe.

Sample

Edith Futscher

Die Filme Marguerite Duras? sind eigentümlich verstörend ? karg in der Bildsprache, mitunter beharrlich in der Artikulationsweise. Ihre ästhetischen Antworten auf soziale und politische Fragen des 20. Jahrhunderts sind heillos. ?Was restlos übrigbleibt? ist eine umfassende Werkmonografie, die dieser Verzahnung Rechnung trägt. In Kontakt mit Fragmenten von Maurice Blanchot wird in deskriptiven Analysen das dichte Geflecht an Filmen und literarischen Texten vorgestellt. Es wird hinsichtlich der Möglichkeiten diskutiert, mit Stille, Leere, Langsamkeit, mit dem Einsatz von Barrieren, Klüften oder Entfärbung von Dingen zu sprechen, die sich nicht zeigen oder zeigen lassen, die wir dennoch sehen können. Mit weitgehend neutralen Bildern, Bildern, die weder hervorstechen noch zuordenbar sein wollen, gelang es Duras, sowohl Übersehenes in den Blick zu rücken als auch extreme Erfahrung zu thematisieren.