Faulkner's short fiction

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[by] Francis Huxley

As all the readers of Alice's Adventures in Wonderland will know, when Alice sat down (uninvited) at the mad tea party, the Hatter opened his eyes very wide and asked, "Why is a raven like a writing desk?" The riddle is famous because when Alice in turn asked, "What's the answer?" the Hatter replied that he hadn't the faintest idea. It has provoked ingenious possible answers from many great minds, but in this utterly engaging "Enquiry," Francis Huxley has undertaken the first investigation in depth. - Jacket flap.

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Edith Futscher

Die Filme Marguerite Duras? sind eigentümlich verstörend ? karg in der Bildsprache, mitunter beharrlich in der Artikulationsweise. Ihre ästhetischen Antworten auf soziale und politische Fragen des 20. Jahrhunderts sind heillos. ?Was restlos übrigbleibt? ist eine umfassende Werkmonografie, die dieser Verzahnung Rechnung trägt. In Kontakt mit Fragmenten von Maurice Blanchot wird in deskriptiven Analysen das dichte Geflecht an Filmen und literarischen Texten vorgestellt. Es wird hinsichtlich der Möglichkeiten diskutiert, mit Stille, Leere, Langsamkeit, mit dem Einsatz von Barrieren, Klüften oder Entfärbung von Dingen zu sprechen, die sich nicht zeigen oder zeigen lassen, die wir dennoch sehen können. Mit weitgehend neutralen Bildern, Bildern, die weder hervorstechen noch zuordenbar sein wollen, gelang es Duras, sowohl Übersehenes in den Blick zu rücken als auch extreme Erfahrung zu thematisieren.

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Paul Debreczeny

This study of the effect of literature on readers, both as individuals and as members of social groups, focuses on Russia's national poet, Alexander Pushkin, as a model for investigating the aesthetic and social functions of literature. The individual reader's response to the literary text is demonstrated in Part One through a broad range of memoirs, diaries, and correspondences in which Russian readers recorded their reactions to Pushkin. Part Two exposes the extent to which individuals' aesthetic responses are conditioned by their social environment. The aura surrounding the personality of an author is the subject of Part Three, in which the author shows how Pushkin's death in a duel with a foreigner contributed to his emergence as a symbol of the Russian nation, and how deep-seated anxiety about national identity gave rise to the Pushkin myth and to the canonization of the poet as martyr. Throughout the book, theoretical arguments are buttressed by close readings of Pushkin's works, especially The Prisoner of the Caucasus, Eugene Onegin, Poltava, Egyptian Nights, and several lyric poems.

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Irving Fang, Ann Norris

Traces the story of recording from the time that Thomas Edison shouted "Whooo" into a funnel, to the iPod and downloading piracy.