Prizzi's Family
Richard Condon
We join the Prizzis who are under seige by the Electronic Church and George F. Mallon, a mayoral candidate running on a platform of a corruption-free New York.

by Donald E. Westlake (2009)
In Donald E. Westlake's classic caper novels, the bad get better, the good slide a bit, and Lord help anyone caught between a thief named John Dortmunder and the current object of his attention. However, being caught red-handed is inevitable in Dortmunder's next production, when a TV producer convinces this thief and his merry gang to do a reality show that captures their next score. The producer guarantees to find a way to keep the show from being used in evidence against them. They're dubious, but the pay is good, so they take him up on his offer.A mock-up of the OJ bar is built in a warehouse down on Varick Street. The ground floor of that building is a big open space jumbled with vehicles used in TV world, everything from a news truck and a fire engine to a hansom cab (without the horse). As the gang plans their next move with the cameras rolling, Dortmunder and Kelp sneak onto the roof of their new studio to organize a private enterprise. It will take an ingenious plan to outwit viewers glued to their television sets, but Dortmunder is nothing if not persistent, and he's determined to end this shoot with money in his pockets.
Richard Condon
We join the Prizzis who are under seige by the Electronic Church and George F. Mallon, a mayoral candidate running on a platform of a corruption-free New York.
Elmore Leonard
After one triumph and one flop, Mafia loan-shark-turned-Hollywood producer Chili Palmer is desperate for another hit... of the celluloid sort. When a similarly relocated former mob associate takes a hit of the bullet-in-the-brain variety while they're power-lunching, Chili begins to see all kinds of story possibilities. The whacked recording company mogul's midday demise is leading Chili into the twisted world of rock stars, pop divas, and hip-hop gangstas, which is rife with drama, jealousy, and betrayal -- all the stuff that makes big box office. Tinsel Town had better take cover, because Chili Palmer's working on another movie. And that's when people tend to die. Leonard's sequel to the highly successful *Get Shorty*.
Elmore Leonard
Father Terry Dunn thought he'd seen everything on the mean streets of Detroit, but that was before he went on a little retreat to Rwanda to evade a tax-fraud indictment. Now the whiskey-drinking, Nine Inch Nails T-shirt-wearing padre is back trying to hustle up a score to help the little orphans of Rwanda. But the fund-raising gets complicated when a former tattletale cohort pops up on Terry's tail. And then there's the lovely Debbie Dewey. A freshly sprung ex-con turned stand-up comic, Debbie needs some fast cash, too, to settle an old score. Now they're in together for a bigger payoff than either could finagle alone. After all, it makes sense ... unless Father Terry is working a con of his own.
James Patterson, Maxine Paetro
*The police can't help you* Former CIA agent Jack Morgan runs Private, a renowned investigation company with branches around the globe. It is where you go when you need maximum force and maximum discretion. The secrets of the most influential men and women on the planet come to Jack daily--and his staff of investigators uses the world's most advanced forensic tools to make and break their cases. *The press will destroy you* Jack is already deep into the investigation of a multi-million dollar NFL gambling scandal and the unsolved slayings of 18 schoolgirls when he learns of a horrific murder close to home: his best friend's wife, Jack's former lover, has been killed. It nearly pushes him over the edge. Instead, Jack pushes back and devotes all of Private's resources to tracking down her killer. *Only one place to turn: Private* But Jack doesn't have to play by the rules. As he closes in on the killer and chooses between revenge and justice, Morgan has to navigate a workplace love affair that threatens to blow the roof off his plans. With a plot that moves at death-defying speeds, Private is James Patterson sleekest, most exciting thriller ever.