Getting a PhD in law

Sample

herausgegeben von Achim Sommer

Lovis Corinth was one of the most exciting artists to emerge from turn-of-the-century Germany. Together with Max Beckmann and Oskar Kokoschka, he became one of the greatest figurative painters of the early twentieth century. An outsider of astonishing individuality, he has resisted categorization by art historians in terms of Impressionism, Expressionism, and other movements. Corinth began his career in the realist tradition in the 1880's, but he was soon at the vanguard of change. Following a period in Munich when his religious and mythological paintings brought him his first taste of fame, Corinth moved to Berlin in 1901, where he spearheaded the protest against Kaiser Wilhelm II's official policy on art. Towards the latter part of his career, Corinth's work clearly reflects his reactions to his own illness and to World War I. Objects are caught up in a play of broad, energetic brush strokes, the paste-like layers of paint applied in sweeping, parallel movements to produce the characteristic hatching that became his hallmark. These later works - mainly landscapes, portraits and self-portraits - continued to be an inspiration to representatives of later movements. Lovis Corinth provides a comprehensive analysis of the artist still little known outside Europe. The Munich and Berlin years, his sources and inspiration, his subject matter, his painting and drawing are examined by authors from America, Britain, and Germany. The book is beautifully illustrated with numerous colour reproductions of his oil paintings, watercolours, drawings, and graphic works, providing the definitive illustrated reference on the artist.

Sample

Charlotte & Aaron Elkins

Alix London, the art restorer and FBI consultant renowned as the Art Whisperer, can spot a counterfeit masterpiece before the paint even dries. What she can't see is why an elite European art dealer would offer her big money for a little mirror that's no more than a homemade gift from her beloved uncle Tiny. Not that Alix would part with it at any price. But when the mirror is abruptly stolen from her home, she realizes that someone sees more in the looking glass than mere sentimental value. When her uncle Tiny disappears mysteriously just after the mirror is stolen, the simple art theft becomes a personal and professional challenge Alix can't ignore. With backup from her friends in the FBI, her game-for-anything pal Chris, and an aging-but-dogged Italian police detective, she delves into the puzzling case, only to find that there is much more to this theft than meets the eye. Once the Mafia shows up on the scene, Alix's mission becomes a do-or-die race to find the one possible man with all the answers.

Sample

Aileen Ribeiro

Costume, portraiture and the presentation of the individual have been intimately linked throughout the history of art. While the face of the person portrayed is often still directly accessible to us, the details and significance of their dress can be less easy to comprehend. Lavishly illustrated throughout with paintings, drawings, photographs and other works of art, this beautiful publication is centred around 190 examples from the National Portrait Gallerys Collection. Through these, the authors explore the purpose and original context of the dress in which the sitter was recorded the damasks, satins, velvets and furs of Tudor and Stuart magnificence worn by Queen Elizabeth I and Charles I, but also the revolutionary simplicity of the cottons, linens and woollen cloth adopted by Mary Wollstonecraft, John Constable and John Clare. Packed with photographs that provide additional insights into the clothes worn by sitters in their portraits, and complemented by related material including fabric designs and jewellery, this authoritative guide looks in detail at one of the most fascinating aspects of many well-known images of the last 600 years.

Sample

Andrew Linzey

In this collection of essays, Linzey counters with his customary wit, erudition, and insight, some contemporary (and perhaps surprising) challenges to animal rights -- from ecotheologians, the Church, and politicians. He contends that far from the sometimes shallow judgments of those who think animals unworthy of theological consideration, the Christian tradition has a wellspring of sources and resources available to taking animals seriously. Instead of being marginal to the Christian experience, Linzey concludes, animals can take their rightful place alongside human beings as creatures of the same God. There is a long forgotten spiritual tradition that two children, both named Jesus, were born in Bethlehem to two sets of parents named Joseph and Mary. This tradition is supported by the different accounts of the nativity and life of Jesus Christ in the gospels of Matthew and Luke. Although the Church chose to ignore this tradition, something of it survived in early Christian art and symbolism. The full tradition was preserved only in the literature of esoteric sects such as Gnosticism, which remained outside the official teachings of institutionalized Christianity. -- Provided by publisher. "I don't know why you're spending all your time on this. They're only animals--for heaven's sake!" That was the reaction of one of Andrew Linzey's fellow students at King's College, London, when he was studying theology in the 1970s. Since then, the now Rev. Dr. Andrew Linzey has been arguing that animals aren't only anything, but rather that they matter to God, and should do so to us. In this collection of essays, Linzey counters with his customary wit, erudition, and insight, some contemporary (and perhaps surprising) challenges to animal rights--from ecotheologians, the Church, and politicians. He contends that far from the sometimes shallow judgments of those who think animals unworthy of theological consideration, the Christian tradition has a wellspring of sources and resources available to taking animals seriously. Instead of being marginal to the Christian experience, Linzey concludes, animals can take their rightful place alongside human beings as creatures of the same God. There is a long forgotten spiritual tradition that two children, both named Jesus, were born in Bethlehem to two sets of parents named Joseph and Mary. This tradition is supported by the different accounts of the nativity and life of Jesus Christ in the gospels of Matthew and Luke. Although the Church chose to ignore this tradition, something of it survived in early Christian art and symbolism. The full tradition was preserved only in the literature of esoteric sects such as Gnosticism, which remained outside the official teachings of institutionalized Christianity. -- Provided by publisher.