Goodnight June

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Jay McInerney

"The crowning achievement from the preeminent writer of his generation: following Brightness Falls and The Good Life, Bright, Precious Things builds on a series increasingly akin to John Updike's Rabbit novels but with a long-standing if weathered couple at its heart. Russell and Corrine Calloway seem to be living the New York dream: book parties one night and high-society charity events the next; jobs they care about (and actually enjoy); twin children, a boy and a girl whose birth was truly miraculous; a loft in Tribeca and summers in the Hamptons. But all of this comes at a high cost. Russell, an independent publisher, has cultural clout but minimal cash; as he navigates an industry that requires, beyond astute literary taste, constant financial improvisation, he encounters an audacious, expensive and potentially ruinous opportunity. Meanwhile, instead of seeking personal profit in this incredibly wealthy city, Corrine is devoted to feeding its hungry poor, and they soon discover they're being priced out of their now fashionable neighborhood. Then Corrine's world is turned upside down when the man with whom she'd had an ill-fated affair in the wake of 9/11 suddenly reappears. As the novel unfolds across a period of stupendous change including Obama's historic election and the global economic collapse he inherited the Calloways will find themselves and their marriage tested more severely than they ever could have anticipated"--

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Kaui Hart Hemmings

"The highly anticipated follow-up to the critically-acclaimed bestseller THE DESCENDANTS ("Audaciously comic" -The New Yorker), a novel about a mother grieving her son's death in a Colorado resort town who is faced with another shock-the appearance of a strange girl carrying a secret that will change their lives irrevocably. "-- Breckenridge, Colorado. Three months ago, Sarah St. John's son, Cully, died in an avalanche. Her father, a retiree, tries to distract her; her best friend offers life advice by venting details of her own messy divorce. Even Cully's father reemerges, stirring old emotions and confusion. Trying to face her grief alone, Sarah is surprised when a strange girl arrives on her doorstep. Unexpected and unexplained, she bears a secret from Cully that could change all of their lives forever.

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Maeve Binchy

"Maeve Binchy, "the grand story teller, "* returns with a cast of characters you will never forget when they all spend a winter week together on holiday at Stone House, a restful inn by the sea ... Stoneyville is a small town on the coast of Ireland where all the families know each other. When Chicky decides to take an old decaying mansion, Stone House, and turn it into a restful place for a holiday by the sea, the town thinks she is crazy. She is helped by Rigger (a bad boy turned good who is handy around the place) and her niece Orla (a whiz at business). Finally the first week of paying guests arrive: John, the American movie star thinks he has arrived incognito; Winnie and Lillian, forced into taking a holiday together; Nuala and Henry, husband and wife, both doctors who have been shaken by seeing too much death; Anders, the Swedish boy, hates his father's business, but has a real talent for music; Miss Nell Howe, a retired school teacher, who criticizes everything and leaves a day early, much to everyone's relief; the Walls who have entered in 200 contests (and won everything from a microwave oven to velvet curtains, including the week at Stone House); and Freda, the psychic who is afraid of her own visions. You will laugh and cry as you spend the week with this odd group who share their secrets and might even have some of their dreams come true."--

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Mary Lawson

"From "a talented writer whose lyrical, evocative writing invites comparisons to Rick Bass and Richard Ford" (Publishers Weekly, starred review) comes a deftly woven novel that examines the layered makeup of a family: the affections and resentments, obligations and sacrifices"-- "Set in a backwoods village in northern Canada, this is the story of a young woman who leaves her dysfunctional, male-dominated family to make a new life in London. With her dreamy mother abed upstairs, and her father passive in a house full of rambunctious, out of control male children from the age of 4-14, Megan has become the defacto mother, housekeeper, nurse, and lynchpin of her household. Wholly dependable, intelligent, lovely, they depend on her completely-- until one day she has had enough. She packs her bags and leaves for London knowing virtually no one. As she did in her previous two books, Mary Lawson flawlessly weaves the narration of Megan's life and love with the consequences of her departure at home, particularly for her youngest brother Adam, age 4, who has retreated into himself out of insecurity and neglect. Lawson is particularly fine in calibrating the emotional core of her characters, and the choice Megan must make, which, while poignant, in Lawson's hands is also an affirmation of what is, finally, universally important"--