by Megan Aldrich (1994)
In this richly illustrated book, Megan Aldrich traces the story of the Gothic Revival from its beginnings in the small, experimental buildings of the eighteenth century to its ultimate phase in the lavish buildings of the late nineteenth century. The book concentrates on the domestic forms of the style, from its use in castles and country houses to its influence on villas and cottages from the old world to the New World. This book is essential reading for all those interested in architecture and design. It covers the influence of the Gothic style, not only through the work of the great designers such as Burges, Pugin, Viollet-le-Duc and Wyatt, but also through many lesser-known figures. The worldwide influence of the Gothic Revival is amply demonstrated in the large selection of illustrations showing wall, floor and window treatments, as well as furniture. An invaluable source of ideas, this book illustrates much new material and celebrates an important chapter in the history of design.
Douglass Shand-Tucci
"Originally Published in 1978 and reissued in paperback in 1988, Built in Boston has been hailed as the definitive work on the architectural history of the city and its suburbs. For this revised edition, Douglass Shand-Tucci has written four substantial new chapters, carrying the story of Boston's built environment forward from 1950 to the present. The book is illustrated with over 300 drawings, maps, and photographs, including 9 color plates."--BOOK JACKET.
Alina Payne
"In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects--cups, saucers, chairs, and tables--began to receive critical attention.Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism: rather than the well-known story in which an absorption of technology and mass production created a radical aesthetic that broke decisively with the past, Payne argues for a more gradual shift, as the eloquence of architectural ornamentation was taken on by objects of daily use. As she demonstrates, the work of Adolf Loos and Le Corbusier should be seen as the culmination of a conversation about ornament dating as far back as the Renaissance. Payne looks beyond the usual suspects of philosophy and science to establish theoretical catalysts for the shift from ornament to object in the varied fields of anthropology and ethnology; art history and the museum; and archaeology and psychology"--
George Heard Hamilton
This revised and up-dated history confines itself to Russia west of the Urals, the Russia whose artistic beginnings lay in the response of a newly settled people to the impact of Christianity and the Byzantine Empire. In the first centuries the arts flourished and developed in the independent states and principalities, but gradually native schools in centres like Novgorod and Kiev gave way to centralization based on Moscow. From the emergence of Russia under Peter the Great until the late 19th century, specifically Russian qualities gave way to Western European inspiration and advice. However, as the 19th century developed, there was a reaction from foreign domination and this led to the rediscovery of native traditions.
C. Eric Stoehr
Here is the first book to show the old-time architecture of Colorado's mining camps and towns as they look today--not just the buildings of one town or one style of architecture, but the full array of styles from all over the state. Handsomely illustrated with over 250 recent photographs, this nostalgic portrait of a bygone era can help you plan a trip through Colorado, preserve a vacation memory, or even add Victorian touches to your home.--from the front cover.