The space within
Patrick F. Cannon
"Original photographs and essays on more than forty Chicago-area residences, religious institutions, and public and commercial buildings, focusing on the structures' interiors and the stories behind them"--

by Kenneth Powell (1996)
Grand Central Terminal stands at the true heart of Manhattan. Built at the beginning of this century it represents the ideals and aspirations of a great American city emerging as a world metropolis in the decade before World War I. Splendid and conspicuous, Grand Central is more than a building; it is not just a civic monument but the central component of an exercise in urban planning which set a new standard for New York and every other great city. Romantic, extravagant and gargantuan as Grand Central seems to late twentieth-century sensibilities, it still embodies a practical and progressive vision of urban life which has new relevance in the aftermath of the Modern Movement.
Patrick F. Cannon
"Original photographs and essays on more than forty Chicago-area residences, religious institutions, and public and commercial buildings, focusing on the structures' interiors and the stories behind them"--
Angela Vanhaelen
"Explores the relationship between art and religion after the iconoclasm of the Dutch Reformation. Reassesses Dutch realism and its pictorial strategies in relation to the religious and political diversity of the Dutch cities"--Provided by publisher.
essay by Aaron Betsky
"Zaha Hadid's highly inventive and seemingly unbuildable designs have always defied conventional ideas of architectural space and construction. The BMW Central Building in Leipzig, Germany, a recent addition to her visionary, gravity-defying, fearlessly bold, and rapidly increasing body of built work, succeeds in creating space through lines of motion. The heart of the BMW factory complex, the Central Building is the dynamic focal point of the entire plant that visually, physically, and experientially sustains a sense of animation. With the constant movement supplied by employees, visitors, and automobiles and its audacious, abstracted geometry of forms and lines, the structure challenges the notion of building as a static art." "Zaha Hadid, the 2004 Pritzker Prize Laureate and the first woman to receive the honor, is celebrated for her unbuilt works as well as her built works, including the Phaeno Science Center (Wolfsburg, Germany), Rosenthal Center for Contemporary Art (Cincinnati, Ohio), Bergisel Ski Jump (Innsbruck, Austria), and Vitra Fire Station (Weil am Rhein, Germany)."--Jacket.
guest-edited by Neil Spiller
We are entering a new era of architecture that is technologically enhanced, virtual and synthetic. Contemporary architects operate in a creative environment that is both real and digital; mixed, augmented and hybridised. This world consists of ecstasies, fears, fetishisms and phantoms, processes and spatiality that can best be described as Surrealist. Though too long dormant, Surrealism has been a significant cultural force in modern architecture. Founded by poet Andre Breton in Paris in 1924 as an artistic, intellectual and literary movement, architects such as Le Corbusier, Diller + Scofidio, Bernard Tschumi and John Hejduk realized its evocative powers to propel them to 'starchitect' status. Rem Koolhaas most famously illustrated Delirious New York (1978) with Madelon Vriesendorp's compelling Surrealist images. Architects are now reviving the power of Surrealism to inspire and explore the ramifications of advanced technology. Architects' studios in practices and schools are becoming places where nothing is forbidden. Architectural languages and theories are 'mashed' together, approaches are permissively appropriated, and styles are not mutually exclusive. Projects are polemic, postmodern and surreally media savvy. Today's architects must compose space that operates across the spatial spectrum. Surrealism, with its multiple readings of the city, its collage semiotics, its extruded forms and artificial landscapes, is an ideal source for contemporary architectural inspiration.