Greek Homosexuality

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Annemarie Schimmel

"The Mughal empire (1526-1857) has long been viewed as a wonderland of unimaginable treasure; it was in fact the mightiest Islamic empire in the history of India. In this comprehensive cultural history ... Annemarie Schimmel describes the political, military and economic rise of the Mughals, their system of rule, the incredible unfolding of their power and splendour, and their gradual collapse, finally supplanted by the British colonial empire in 1857. Beginning with a concise historical overview, she paints a detailed picture of life at court: of rank and status in this strictly hierarchical society; of the life of women; of the various religions, languages and literatures of the Mughal era; of the patronage of the arts by the rulers; and the remarkable accomplishments and techniques of artists at the Mughal court.... Building and landscape architecture, painting and literature, indeed, the entire court culture of the Mughals, all testify to an aesthetic sensibility within which they strove to harmonise all aspects of life."--

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Michael Sullivan

"For the fourth edition of his The Arts of China, last published in 1984, Michael Sullivan has thoroughly revised and expanded this classic history of Chinese art from the Neolithic period to the 1990s. He draws on archaeological discoveries in the last two decades of the twentieth century that have enriched scholars' understanding of both prehistoric and ancient Chinese civilizations. At the same time, research on more recent dynasties has led to fresh interpretations of well-documented historical events and artworks. Also, China's dramatic opening to the outside world since the 1980s has triggered an explosion of contemporary Chinese art, on which Sullivan is the foremost Western authority."--BOOK JACKET.

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[by] E. H. Gombrich

The Story of Art, by E. H. Gombrich, is a survey of the history of art from ancient times to the modern era. First published in 1950 by Phaidon, the book is widely regarded both as a seminal work of criticism and as one of the most accessible introductions to the visual arts

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[text, Mikhaïl Guerman

Upon his return to Germany in 1921, Kandinsky developed his theory of the Science of Art in his book Concerning the Spiritual in Art in Weimar. The Bauhaus Period is the time of Kandinsky's most intense production when his genius would become better known to the world. This book allows us to discern the richness of Kandinsky's work through numerous canvases that have contributed to his international prestige as a painter.