Harley Loco

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Maria Bello

The acclaimed actress and dedicated activist shares her personal journey of discovery, and destroys outdated ideas about partnership, love and family that will resonate with anyone in an unconventional life situation. Actress and activist Maria Bello made waves with her essay, Coming Out as a Modern Family, in the New York Times popular Modern Love column, in which she recalled telling her son that she had fallen in love with her best friend, a woman--and her relief at his easy and immediate acceptance with the phrase Whatever Mom, love is love. She made a compelling argument about the fluidity of partnerships, and how families today come in a myriad of designs.In her first book, Bello broadens her insights as she examines the idea of partnership in every woman's life, and her own. She examines the myths that so many of us believe about partnership--that the partnership begins when the sex begins, that partnerships are static, that you have to love yourself before you can be loved, and turns them on their heads. Bello explores how many different relationships--romantic, platonic, spiritual, familial, educational--helped define her life. She encourages women to realize that the only labels we have are the ones we put on ourselves, and the best, happiest partnerships are the ones that make your life better, even if they don't fit the mold of typical. Throughout this powerful and engaging read, Bello shares intimate stories and lessons on how she has come to discover her happiest self, accept who she is, and live honestly and freely, and tells the stories of those who came to her after her Times' columns, grateful that someone gave voice to their life choices. Love is Love is not a memoir about an actress. It is a frank, raw, and honest book about the way every woman questions the roles she plays in love, work, and life, filled with wisdom, questions, and insights relevant to us all.

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Robert A. Schanke

"In the first book-length biography of Mercedes de Acosta, theater historian Robert A. Schanke adroitly mines lost archival materials and mixes in his own interviews with de Acosta's intimates to correct established myths and at last construct an accurate, detailed, and vibrant portrait of the flamboyantly uninhibited early-twentieth-century author, poet, and playwright." "Born to wealthy Spanish immigrants, Mercedes de Acosta (1893-1968) lived in opulence and traveled in the same social circles as the Astors and Vanderbilts. She was introduced to the New York theater scene at an early age, and her dual loves of performance and of women informed every aspect of her life thereafter. De Acosta was notorious for walking the streets of New York in mannish pants, pointed shoes trimmed with buckles, a tricorn hat, and a cape. With her chalky white face, deep-set eyes, thin red lips, and jet black hair, de Acosta was labeled "Countess Dracula" by Tallulah Bankhead. And Alice B. Toklas's observation, "Say what you will about Mercedes, she's had the most important women in the twentieth century," was well justified, as her romantic conquests included such internationally renowned beauties as Greta Garbo, Marlene Dietrich, and Isadora Duncan, as well as Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson." "Not merely a record of her personal life and infamous romances, this account offers the first analysis of de Acosta's complete oeuvre, including three volumes of poetry, two novels, two film scripts, and a dozen plays. Although only two of her plays were ever published during her lifetime, four of them were produced, featuring such stage luminaries as John Gielgud, Ralph Richardson, and Eva Le Gallienne. When she published her first volume of poetry, Moods, in 1919, critics praised her achievements and predicted her rise to literary fame. Unfortunately, the love of other women that fueled her writing also limited her opportunities to fulfill this destiny. Failing to achieve any lasting fame, she died in relative poverty at the age of seventy-five." "Aided by twenty-seven photographs, Schanke establishes Mercedes de Acosta's rightful place as a pioneer - and indeed a champion - in the early struggle for lesbian rights in this country. The famous portrayal of her as "that furious lesbian" should now be considered an admiring description rather than a scornful slur."--Jacket.

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Vidal Sassoon

Sassoon created some of the most iconic images of our times. In this memoir he introduces us to the people who helped him along his way, and also of the passions that drive him. They provide a moving account of a boy from the East End of London who became the most famous hairdresser in the world.

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Catherine Texier

Breakup is the erotically charged chronicle of the tempestuous final months of an eighteen-year romantic and literary partnership, self-destructing in the aftermath of the ultimate betrayal. Fearlessly and courageously, Texier chronicles the end of the love as it is wrecked by infidelity and deceit in a literary tour de force reminiscent by turns of Marguerite Duras and Henry Miller. Texier writes in harrowing detail about the powerful sexual relationship she shared with her husband even during their breakup, how sex between them became a substitute for real intimacy, and how the fabric of a marriage (a shared cup of cafe au lait on a yellow table every morning, the memories of giving birth to two glorious daughters, of coediting their own literary magazine) is brutally dissolved.