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Barbara Bush

Barbara Bush is certainly among the most popular First Ladies ever to live in the White House. Politics aside, people worldwide have come to admire her wit, her candor and compassion, as well as her unswerving devotion to her husband and children. In her memoir, Mrs. Bush for the first time gives readers a very private look at a life lived in the public eye for more than twenty-five years. She begins with a compelling portrait of her early years, including: growing up in Rye, New York, and meeting George Bush; life as a young bride and mother, moving far away from home to West Texas; and the almost unbearable pain of losing a child. With contemporary American history as the backdrop, Mrs. Bush remembers the shock of learning that her fiance has been shot down in the Pacific during World War II; the disbelief when a black friend is refused service in a Southern restaurant in the 1950s; and the fear when she is caught in the middle of a student protest march in the 1960s. She recounts her years in public life, from first moving to Washington when George Bush was elected to Congress; to her experience living in New York as the wife of the Ambassador to the United Nations and in China as wife of the U.S. envoy. She talks candidly about the ups and downs of three presidential campaigns and describes her role as the wife of the Vice President, culminating in the climactic White House years. Drawing upon excerpts from her diary, which she has compiled for more than thirty years, Mrs. Bush takes us behind the scenes of the Persian Gulf conflict and the end of the Cold War. She talks about both the Bushes' struggle to overcome Graves' disease and how she faced the controversy that erupted at Wellesley College before her commencement speech. Through the friendships she developed over the years with world leaders and their spouses, we meet and get to know the Gorbachevs, the Thatchers, the Mitterrands, the Mubaraks, and many others. And she tells us why she threw so much of her energy and compassion behind the important cause of making more Americans literate. This memoir includes hundreds of the funny, often self-deprecating, and occasionally touching anecdotes for which Mrs. Bush is well known: surprising a rat while swimming in the White House pool; accidentally stomping on Boris Yeltsin's foot under the table during a state dinner; wearing a $29 pair of shoes for her husband's inaugural ball. She also talks about the disappointments of the 1992 presidential campaign and the joys of rediscovering private life, including driving and cooking again for the first time in twelve years. This is a warm and funny memoir that will charm Mrs. Bush's millions of admirers and earn her many more.

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Darryl W. Bullock

"Madame Jenkins couldn't carry a tune in a bucket: despite that, in 1944 at the age of 76, she played Carnegie Hall to a capacity audience and had celebrity fans by the score. Her infamous 1940s recordings are still highly-prized today. In his well-researched and thoroughly entertaining biography, Darryl W. Bullock tells of Florence Foster Jenkins meteoric rise to success and the man who stood beside her, through every sharp note. Florence was ridiculed for her poor control of timing, pitch, and tone, and terrible pronunciation of foreign lyrics, but the sheer entertainment value of her caterwauling packed out theatres around the United States, with the 'singer' firmly convinced of her own talent, partly thanks to the devoted attention for her husband and manager St Clair Bayfield. Her story is one of triumph in the face of adversity, courage, conviction and of the belief that with dedication and commitment a true artist can achieve anything."--Amazon.com.

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Oliver W. Harrington

To American black newspapers of the 1930s and 1940s, "Ollie" Harrington was a prolific contributor of humorous and editorial cartoons. He emerged as an artist during the Harlem Renaissance and created Bootsie, the popular cartoon figure that became a fixture in black newspapers. Langston Hughes praised Harrington as America's greatest black cartoonist. After serving as a war correspondent in Italy, he returned to his homeland and the impediment of racism that pervaded American life. As director of public relations for the NAACP, he crusaded against America's policies of institutionalized racism, openly supporting leftist reform leaders. Upon hearing, in this era of "red-baiting", that he was targeted for investigation, Harrington left America. In the culturally rich American community on the Left Bank in Paris that would come to include Chester Himes, James Baldwin, and Richard Wright, he became a fixture. In 1961 he found himself trapped behind the Berlin Wall, but he chose to remain in East Germany. His cartoons appeared in East German magazines and in the American Communist newspaper The Daily World. Although he became a favorite with Eastern Bloc students and intellectuals, in America Harrington was mainly forgotten. The autobiographical pieces included in Why I Left America and Other Essays, written mainly during the 1960s and 1970s, detail Oliver W. Harrington's experiences as an African American artist in exile. One theme that persists in these writings and his cartoons is his intolerance of racism. Hence, as an artist, he has found it impossible not to be political. "Although I believe that 'art for art's sake' has its merits," he says, "I personally feel that my art must be involved, and the most profound involvement must be with the Black liberation struggle." One essay, from Ebony magazine, fuels speculation about the mysterious circumstances in the death of his friend Richard Wright. In another piece Harrington details how he created the celebrated Bootsie. He writes in others of his life in New York during the Harlem Renaissance and in Paris with fellow black expatriate figures. Why did this African American choose to live in exile for over forty years? In an affectionate foreword to this volume Richard Wright's daughter Julia gives clues to the answer. Her insights, along with M. Thomas Inge's introductory essay, about Harrington's life and achievements, bring special focus to the experiences of an outstanding African American artist and social critic who has been virtually without recognition in his homeland.

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Owen Gleiberman

"From a personal obsession with film, to an unorthodox mentorship with the legendary Pauline Kael, to establishing himself with the upstart Entertainment Weekly, Movie Freak is the memoir by veteran film critic Owen Gleiberman that will speak to anyone whose life has been changed by a great film. What molds a critic? Perhaps it takes parents willing to buy nine-year-old Gleiberman drive-in tickets for Rosemary's Baby. Like millions of us, Gleiberman loves movies, and in this frank and funny memoir he not only reveals the details of how he became a critic but attempts to show why we find cinema so defining as a society. As one of the premiere tastemakers for more than three decades, Gleiberman, a self-confessed movie freak, explains why he, and so many others, equate film with life. Readers will revel in the juicy details of the behind-the-scenes life of a critic, and cheer as he lifts the curtain on life along the red carpet"--