"It was without precedent. In July 1999 Hillary Rodham Clinton hit the campaign trail - the only sitting first lady in the history of the United States ever to seek public office. In her quest to become a New York senator, the nation's most polarizing woman would have to hold her own in the hurly-burly world of New York politics." "In this book, political columnist Michael Tomasky exposes the fascinating inner workings of that race. Hillary, he reveals, was neither a gladiatorial tigress nor the unreconstructed flower child conservatives so deeply feared. Constitutionally unable to embrace what Tomasky calls "the politics of personal narrative" and to bare her soul before the voters, she instead presented herself in a tradition of nineteenth-century women reformers religiously bent on problem solving. But would that play in a media capital that savored scandal and demanded that politicians parade their personalities?" "Here then is the witty, barbed month-by-month chronicle of how Hillary made the transition from "cosseted first lady to flesh-and-blood candidate": the surreal crises; the angry rifts among advisers over her image; the hovering presence of a scandal-plagued husband and president. And finally, here is a brilliant and lasting analysis of the vast and thorny world of statewide politics, with portraits of New York politicians of all stripes - from Al Sharpton to George Pataki - who sought to reshape the race for their own purposes." "Filled with trenchant observations about liberalism and its antagonists, this is a rollicking tale of hardball politics in the nation's fiercest arena. It is also an illuminating portrait of that most guarded of candidates, now New York's first woman senator, Hillary Rodham Clinton."--Jacket.
It's not enough to be right, these days -- especially when you're not left. To survive, the right must learn how to express nonliberal principles as effectively as possible, and persuade others of their point of view. It is an art that demands patience, research, humor, understanding, creative thinking, learning from your opponent and even mimicking their tactics. In How to Be Right, Gutfeld reveals the strategies that have helped him keep a steady job with FOX News for almost three decades. From "Discard Your Outrage" and "Outcompassion Them" To "Find the Right's Obama" and "Use your Mom," Gutfeld gives readers the tools they'll need to argue, influence, and convince their friends, family and foes throughout the 2016 election cycle.
Critics worldwide have praised Reinaldo Arenas's writing. His extraordinary memoir, *Before Night Falls*, was named one of the fourteen "Best Books of 1993" by the editors of *The New York Times Book Review* and has now been made into a major motion picture. *The Color of Summer*, Arenas's finest comic achievement, is also the fulfillment of his life's work, the *Pentagonía*, a five-volume cycle of novels he began writing in his early twenties. Although it is the penultimate installment in his "secret history of Cuba," it was, in fact, the last book Arenas wrote before his death in 1990. A Rabelaisian tale of survival by wits and wit, *The Color of Summer* is ultimately a powerful and passionate story about the triumph of the human spirit over the forces of political and sexual repression. **From Publishers Weekly** Reinaldo Arenas was the cursed visionary of late 20th-century Cuban literature, imprisoned by Castro and shunned by pro-Cuba leftist intellectuals in this country after he came over in the Mariel boatlift. His open queerness shocked his contemporaries. This novel is the fourth in a cycle of five novels, dubbed the *Pentagonia* (the fifth in the series, *The Assault*, was published in 1994). It operates on a number of levels, like a noisy and particularly chaotic party. The most straightforward segment of the plot concerns the tyrant Fifo's 50th-anniversary celebration. It is typical of the grandiose, bloated Fifo that it is actually the 40th anniversary of the revolution -- Fifo even lies about arithmetic. The island over which Fifo presides is a vast, groaning prison, dotted by real prisons, like El Morro, where Arenas was actually imprisoned. Fifo keeps control with an army of midgets and a flotilla of sharks that circle the island and prevent anyone from escaping. However, the island queens (mercilessly hunted by Fifo's minions, although Fifo and most of his court have dabbled in men) have been nibbling away at the base of the island, trying to unmoor it. On another level, this is Arenas's autobiography. His character has three names: Skunk in a Funk, his queer nom de guerre; Gabriel, the writer; and Reinaldo, the real person. The tripartite division of his character, and of others, entails dizzying changes of gender and jumps between levels of reality. Arenas has a nice vaudevillian touch, scattering scabrous reference to recent events and people as he bounces from skit to skit. A chapter entitled "The Confession of H. Puntilla" is modeled on the real recantation of Heberto Padilla in 1971, with anatomically impossible flourishes. Unfortunately, the flood of Cuban marginalia makes this book, at times, almost indecipherable for the non-Cuban reader. (July) Copyright 2000 Reed Business Information, Inc. **From Library Journal** The fourth of Arenas's five-novel cycle (begun with *Singing from the Well*) and the last piece of fiction he wrote before his suicide in 1990, this is a magnificent roman X clef. Lamentably, the vagaries of publishing and the translator!s own timetable delayed publication of this shattering testimonial novel until after the 1999 it foretells. In honor of his 50th year in power, a Caribbean dictator named Fifo engineers a grand cultural gala featuring the greatest stars of Cuban literature. Gertrudis GUmez de Avellaneda, whose verse Cuban schoolchildren learn by heart, is resurrected from the dead but, refusing to take part in the charade, makes a run for Key West. Fifo repudiates her by having a procession of characters intone doggerel testimonials that Arenas refashions for them from the greatest lines of their prose and verse. Homosexuality, the tragicomedy of Cuban politics, the church, the mother-son relationship, salaried work, and even the weather are metaphors the author uses to portray the larger, all-inclusive struggle of power vs. freedom. The human spirit, Arenas argues, is capable of irreverent humor in even the worst situations and indeed must be given free rein if beauty is to be brought into the world. Hilarious and savagely sarcastic, this is a requisite addition to collections of Hispanic, Cuban, and gay literature."Jack Shreve, Allegany Coll. of Maryland, Cumberland Copyright 2000 Reed Business Information, Inc.
The Fifties is a sweeping social, political, economic, and cultural history of the ten years that Halberstam regards as seminal in determining what our nation is today. Halberstam offers portraits of not only the titans of the age: Eisenhower Dulles, Oppenheimer, MacArthur, Hoover, and Nixon, but also of Harley Earl, who put fins on cars; Dick and Mac McDonald and Ray Kroc, who mass-produced the American hamburger; Kemmons Wilson, who placed his Holiday Inns along the nation's roadsides; U-2 pilot Gary Francis Powers; Grace Metalious, who wrote Peyton Place; and "Goody" Pincus, who led the team that invented the Pill.
Using recently uncovered archival materials, personal interviews, and a broad familiarity with Russian history and culture, two young Russian historians have written a major interpretation of the Cold War as seen from the Soviet shore. Covering the volatile period from 1945 to 1962, Zubok and Pleshakov explore the personalities and motivations of the key people who directed Soviet political life and shaped Soviet foreign policy. They begin with the fearsome figure of Joseph Stalin, who was driven by the dual dream of a Communist revolution and a global empire. They reveal the scope and limits of Stalin's ambitions by taking us into the world of his closest subordinates, the ruthless and unimaginative foreign minister Molotov and the Party's chief propagandist, Zhdanov, a man brimming with hubris and missionary zeal. The authors expose the machinations of the much-feared secret police chief Beria and the party cadre manager Malenkov, who tried but failed to set Soviet policies on a different course after Stalin's death. Finally, they document the motives and actions of the self-made and self-confident Nikita Khrushchev, full of Russian pride and party dogma, who overturned many of Stalin's policies with bold strategizing on a global scale. The authors show how, despite such attempts to change Soviet diplomacy, Stalin's legacy continued to divide Germany and Europe, and led the Soviets to the split with Maoist China and to the Cuban missile crisis. Zubok and Pleshakov's groundbreaking work reveals how Soviet statesmen conceived and conducted their rivalry with the West within the context of their own domestic and global concerns and aspirations. The authors persuasively demonstrate that the Soviet leaders did not seek a conflict with the United States, yet failed to prevent it or bring it to conclusion. They also document why and how Kremlin policy-makers, cautious and scheming as they were, triggered the gravest crises of the Cold War in Korea, Berlin, and Cuba.
Hillary's turn by Michael Tomasky | Literally Just Books
