The upside down boy
story by Juan Felipe Herrera
The author recalls the year when his farm worker parents settled down in the city so that he could go to school for the first time.

by Pat Mora (1997)
A family memoir told in the voices of ancestors, House of Houses is about oppression and survival and sometimes triumph, as "any book about a Mexican American family must be." Mora's House of Houses is large, imagined, traditional, a refuge from the desert's heat, where the generations of her family, living and dead, mingle through the months of a single year. The house in inhabited by Mora's father, Raul, the fighter who hit no one; her mother, Estela, the extrovert who in grade school chose to be a rainbow tulip for May Day since no one color was enough; Estela's mother, Amelia, the Mexican Cinderella, a red-haired orphan taken in by wealthy relatives. Drawing on the magical realism that distinguishes the work of so many Latin American writers - from Garcia Marquez to Esquivel - Mora writes of the multicolored cloth that heals the women in her family and of her father's ability to turn himself into a bird. Great-grandmother Tomasa, in her nineties, leaves fruit behind her radio for the announcer she loves. And Mora's Aunt Chole, though legally blind, is the only one who sees The Virgin Mary when she appears in the garden.
story by Juan Felipe Herrera
The author recalls the year when his farm worker parents settled down in the city so that he could go to school for the first time.
foreword by Paul Bowles
O My Land, My Friends: The Selected Letters of Hart Crane collects the most significant letters from one of America's most evocative modern poets into a document as passionate, revealing, and ultimately as tragic as Crane's short life. He died at the age of thirty-two. Of the 1200 letters that survive, this edition selects over three hundred that best illustrate the complexity and textures of Crane's life - from family pressures to his creative ambition, to his homosexuality. These letters served as his notebook, his diary, his workshop, and confessional. Preserving ideas, observations, speculations and even drafts of poems, Crane's letters richly document his intelligence and imagination, as well as his alcoholism and self-destruction, more intimately than any biography. And whatever the myth of Crane's indulgences may hold, these letters show that Crane was dedicated as an artist striving to create uniquely American poetry.
E. Ethelbert Miller
"Moving beyond the loss of both his father and brother, E. Ethelbert Miller tells the story of how love survived in his family. When Miller was about ten years old, his father told him how he could have left his mother. Years later, now a writer and a father, Miller looks back on that simple remark and how it shaped him. In Fathering Words, Miller explores his development as an African American writer, the responsibility of his chosen career, and his ambitions to raise the consciousness of black people." "Miller's poetry often relies on the voices of women. Here in Fathering Words, he has chosen to write his memoir in two voices. He places his sister's voice on the page next to his own. The result is a duet that tells two stories woven together as one."--BOOK JACKET.
John Scott
"Suddenly they were all talking about me. Then came the phrase that I would come to hear so often that it became burned into my soul, "Ydy e'n siarad Cymraeg?" (Does he speak Welsh?)" In this delightful, childhood memoir the author takes us back to the time when he was evacuated from wartime Newcastle, with his mother, to stay with an elderly aunt in Wales. It was a time when the local people all conversed fluently in their own native tongue, and the diverse characters he met were a fascination for him. Not least, was his Uncle Bob the local baker who introduced him to bread-making. A year or so later, mother and son left Pwllheli, to rejoin his father in Newcastle.