Hush now, don't explain

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Paula T. Connolly

Long seen by writers as a vital political force of the nation, children's literature has been an important means not only of mythologizing a certain racialized past but also, because of its intended audience, of promoting a specific racialized future. Stories about slavery for children have served as primers for racial socialization. This first comprehensive study of slavery in children's literature, Slavery in American Children's Literature, 1790-2010, also historicizes the ways generations of authors have drawn upon antebellum literature in their own re-creations of slavery.

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Leslie B. Rout, Jr

This text presents the broad historical contours of the African experience in Spanish America, from enslavement, resistance, and rebellion to the crucial participation of Afro-Latin Americans in the wars of independence, and a region-by-region account of their varied treatment in the newly-founded republics from the 19th century to the modern era.

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Kristin Boudreau

"In this chronicle of the role of sympathy in American literature and culture from the colonial period to the Gilded Age, Boudreau shows how the sentiment of fellow-feeling was repeatedly recruited at moments of national and personal crisis.". "Unlike many treatments of attachment and sentimentality, this book avoids positing either the radical or the conservative account of sympathy. Drawing on a range of texts from John Winthrop's 1630 "Model of Christian Charity" to William James's 1902 Varieties of Religious Experience, the work explores the entire complicated legacy of sympathy in American culture. In examining what she calls the "cultural fiction" of consanguinity, or shared blood, the author illuminates both its possibilities for soothing social and political divisions as well as its social and psychological costs. In one of the few books to trace the influence of writers of the Early Republic on antebellum sentimental works, Boudreau offers an array of examples from inside and outside the canon to illustrate that sentimental culture did not end with the Civil War."--BOOK JACKET.

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Valerie Tripp

Josefina who hopes to become a "curandera," or healer, like Tía Magdalena, is tested just before her tenth birthday when a friend receives a potentially fatal snakebite.