by Jack Gantos (2011)
Irrepressible Joey must draw upon all of his emotional reserves to face his latest challenge. His good-for-nothing dad shows up, having won the lottery and acquired a new identity. Carter Pigza is now Charles Heinz; he's won back Joey's mother, Fran (renamed Maria); and Joey is expected to forgive him his past sins and reinvent himself as Freddy Heinz. Dad has big plans for the family. He's bought a run-down diner and will use his son to drum up business by standing by the roadside in a bee costume. Mom is on a spending spree and pressures Joey to forgive his father and do as he says. But Joey senses how wrong this is, and his struggle is palpable. By the time he concedes, his father has given up on the diner idea and has spent all of his money on losing lottery tickets. As usual, when the chips are down, Carter takes off, just as Fran is about to have a baby. Gantos tells the tale with unfailing humor, delicious wordplay, and many hilarious scenes, but this is the darkest Joey book to date. Carter's unreliability is a given, but Fran Pigza's willingness to buy into the surreal scene is unsettling and underscores the fact that Joey is really on his own. Nevertheless, readers will cheer as his indomitable spirit prevails; he neither rescinds nor regrets his forgiveness, and he is thrilled to have a baby brother. The appearance of Junior Pigza promises a new purpose in Joey's life, the possibility of a future ally in his crazy world, and, perhaps, adventures to come.
Sundee T. Frazier
Twin daughters of interracial parents, eleven-year-olds Keira and Minna have very different skin tones and personalities, but it is not until their African American grandmother enters them in the Miss Black Pearl Pre-Teen competition in North Carolina that red-haired and pale-skinned Minna realizes what life in their small town in the Pacific Northwest has been like for her more outgoing, darker-skinned sister.
Temple Mathews
"Sixteen year-old Echo Stone awakens in a cold sweat in a dark room, having no idea where she is or how she got there. But she soon finds out she's in Middle House, an orphanage filled with mysteriously troubled kids. There's just one problem: she's not an orphan. Her parents are very much alive. She explains this to everyone, but no one will listen. After befriending a sympathetic (and handsome) boy, Echo is able to escape Middle House and rush home, only to discover it sealed off by crime scene tape and covered in the evidence of a terrible and violent crime. As Echo grapples with this world-shattering information, she spots her parents driving by and rushes to flag them down. Standing in the middle of street, waving her arms to get their attention, her parents' car drives right through her. She was right. Her parents are alive--but she's not. She's a ghost, just like all the other denizens of Middle House. Desperate to somehow get her life back and reconnect with her still-alive boyfriend, Echo embarks on a quest to solve her own murder. As the list of suspects grows, the quest evolves into a journey of self-discovery in which she learns she wasn't quite the girl she thought she was. In a twist of fate, she's presented with one last chance to reclaim her life and must make a decision which will either haunt her or bless her forever"--
Eric Morris
"Jacob Jump, the dark and meticulously crafted first novel from Eric Morris, follows a weeklong ill-fated boating trip down the Savannah River from Augusta, Georgia, to the lighthouse at Tybee Island. Chance and danger trump planning and intention at every turn, and the pull of the historic river and of fate itself propels Morris's characters with unrelenting force. Old friends Thomas Verdery and William Rhind, each seeking temporary escape from the failures of their lives, take to the river with Rhind's father. Verdery, a native southerner, has left his job and lover in Nepaug, Connecticut, while Rhind has lost his wife and child to his drinking. Encounters with dangerous weather and unhinged locals imperil the trio, who are held at gunpoint when they try to dock and soon are fighting among themselves. The hazards of the trip and a shocking loss along the way exacerbate William Rhind's drinking and tendencies toward violence. When Verdery and Rhind must become reluctant custodians to young Caron Lee, a lost girl from the backwoods family that had previously accosted them, tensions build toward explosive ends as the serene open waters of the Atlantic Ocean wait just beyond reach on the unknown, unknowable horizon. Guided by a host of influences from William Faulkner and Ernest Hemingway to Cormac McCarthy, James Dickey, and Ron Rash, Morris's prose brings readers deep into the uncertainties of a still-wild southern landscape and of the frailties of the human heart yearning for past and future alike while pulled along by the inescapable current of the present. Best-selling writer and Story River Books editor at large Pat Conroy provides a foreword to the novel"--
Karen Rivers
Enter the diary of sixteen-year-old Haley, who is in her last year of high school (The Greatest Year of My Life, or TGYML). Haley likes to think she's just a normal girl, plagued with all the normal doubts of a too-smart-for-her-own-good, slightly hypochondriac, hickey-prone teenager. But partway through the year, disaster strikes: Haley comes down with chickenpox; her best friend Jules won't speak to her; the object of her affections, a boy named J.T., won't even look at her; and worst of all, her harmless hippie Dad is in some mysterious trouble with the law. In desperation, Haley turns to the Ouija board and tries to communicate with the Other Side, but this leads to a further, unexpected complication: Why does the dead boy she channels seem more attractive than the real boy who wants to spend time with her? The Healing Time of Hickeys takes the reader on a dizzying and wryly funny journey to discover the answer to this question, and several more that Haley thinks she keeps hidden from everyone.