Iconic L.A

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Simon Thurley

"Whitehall Palace was the principal residence of the British monarchy from 1529 to 1698, when fire destroyed most of the complex. As such, it holds a key place in the architectural, political and social history of England. This book is the first to discuss the architecture and archaeology of this influential building.". "Simon Thurley traces the development of the Palace from its origins, using previously unpublished archaeological evidence to establish that York Place, as it was then called, was already one of the largest and most important residences in London before it became a royal palace. Thurley reconstructs the various phases of the Palace's development, showing how successive kings and queens altered the vast, sprawling mass of Whitehall to meet their individual needs. He also charts the plans of monarchs to replace the Tudor building with one that might have rivalled the great Baroque palaces of Europe, and he reveals the reasons they failed to achieve this."--BOOK JACKET.

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Ricardo Daza

"Mies van der Rohe in a steel and glass building smoking a cigar - this historical photograph of the world-famous architect fascinated and intrigued the author so much that he painstakingly researched the events surrounding it. He takes the reader step by step through all the architectonic and personal details in the photograph, interpreting and analysing them. With the tension of a detective story, he examines the evidence, makes deductions and gradually brings to light elements of Mies' biography, enhanced by attractive sequences of illustrations. From this one photograph the author draws a skillful picture of Mies - the architecture, the man and his character."--Jacket.

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David Lowe

These dazzling, poignant pages recreate the magical built environment that thrilled generations of Chicago residents and visitors alike before falling victim to the wrecking ball of "progress." Here are the grand residences and hotels, opulent theaters, legendary trains, and state-of-the-art office buildings and department stores-including the world's first skyscraper. Here too are the famous convention halls, parks, and racetracks of a great American city whose architectural treasures have been, and continue to be, recklessly squandered. Rare photographs and prints, many of them published here for the first time, document the transformative architectural achievements of such giants as Dankmar Adler, Louis Sullivan, John Wellburn Root, Daniel Burnham, William Holabird, and Frank Lloyd Wright. But this remarkable book is much more than a portfolio of now-vanished buildings; within its pages are evocative thumbnail sketches of scores of Chicago personalities, from the world-famous (Abraham Lincoln, Theodore Dreiser, Clarence Darrow, Ben Hecht, Jane Addams, Cyrus McCormick, George Pullman, and Gustavus Swift, to name just a few) to the locally notorious.

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Text, Wolfgang Pehnt

"Early in the 20th century, Robert Bosch, the founder of the Stuttgart technology business, built a villa on the hills east of the city. It was half Palladian, half in the reform style of the period before the First World War. The building was to meet the head of the company's need for prestige, and to provide a private refuge thanks to the pleasant qualities of its large park and open position. The foundation of the same name is now housed in the Villa Bosch, but the space available has not been adequate for some time. As the company also needed rooms for seminars and other events, a decision was taken to build new accommodation next to the villa." "Seven well-known teams took part in a restricted competition, including Tadao Ando, Richard Meier and Richard Rogers. The commission went to Peter Kulka, based in Cologne and Dresden. He found a convincing solution to the problem of leaving the dominance of the old building untouched and at the same time making the new accommodation attractive in its own right. He came up with a second >>villa<< slightly below the first one, precise in its volume and minimalist in its resources. The building responds impressively to the challenges of the topography, the landscape around it and its neighbouring building." "Kulka's work combines transparency with physical presence, structural austerity with poetry. This villa suburbana represents a milestone in his career. Kulka, born in 1937, was a pupil of Selman Selmanagic and worked with Hermann Henselmann, Hans Scharoun and in various partnerships before setting up his own practice in 1979. He has been seen as a member of the German architectural avant-garde since his Dresden parliament building (1991-94)."--BOOK JACKET.