In perfect harmony

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Marc Treib

Published in conjunction with a major exhibition at the San Francisco Museum of Modern Art, An Everyday Modernism: The Houses of William Wurster is the first large-scale examination of Wurster's fifty-year career and his important place in contemporary American architectural thought. Featured here are photographs, drawings, and plans of over fifty of Wurster's projects, as well as many others by his contemporaries. Essays by distinguished architectural historians and critics provide insight into both his professional and personal life while also exploring the complex interplay of social and political forces that affected housing during the first half of this century.

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Mary Morton, George T.M. Shackelford

"More than fifty of Gustave Caillebotte's (1848-1894) strongest paintings illustrate the fertile period from 1875 to 1885 when he was most closely allied with the impressionists. Accompanying the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, this volume explores the inquisitive, experimental, almost fearless vision that inspired his masterworks"--

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essays by Kendall H. Brown, Sharon A. Minichiello

"Catalogue entries on popular songbooks, kimono, and decorative arts further investigate the potent relations between styles and ideologies imported from the West and those newly established as Japanese tradition. The nihonga paintings, woodblock prints, textiles, and domestic artifacts discussed and illustrated here come primarily from the Honolulu Academy of Arts, which organized the exhibition documented by this book. Many of these works have never been published and several major paintings, exhibited in Japan during the 1920s and 1930s then lost after the war, are brought to light here for the first time in decades. This catalogue not only presents newly discovered works but also, in bringing together a broad range of objects representative of mainstream Taisho visual culture, reconstructs the styles popular from 1915 to 1935 in a celebration of Taisho Chic."--BOOK JACKET.

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Joan M. Schwartz and James R. Ryan

The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.