Intended consequences

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Michael W. Young

A note on orthography -- "Trobriand Islands" by Bronislaw Malinowski -- Samarai, "gate to the field" -- Picturing the ethnographer -- Touluwa, chief of Omarakana -- Coral gardens and their harvests -- Dancing at Milamala -- "Physical types" and "personalities" -- "Magic" -- Fishing and canoes of the lagoon -- "Village scenes" -- Women's domain -- "The children's republic" -- Mortuary rites and exchanges -- Masawa canoes and the kula quest -- "Black and white" -- Appendix 1 : Malinowski’s photographic equipment -- Appendix 2 : the numbering of the collection.

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John Loengard

On the occasion of Georgia O'Keeffe's 80th birthday in 1966, 'Life' magazine dispatched photographer John Loengard to her home in New Mexico to document a day in the life of the pioneering American artist. Loengard's elegant black and white images capture the grand, solitary woman in the desert, and candid shots record her daily routine at Ghost Ranch. Juxtaposed here with selected O'Keeffe paintings, these photographs reveal how the austere poetry of the landscape corresponded to the artist's own painterly world. This unique marriage of paintings and photographs also includes a introduction by Loengard describing his first encounter with O'Keeffe and contemplative writings by the artist herself on her work and inspirations.

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Gerhard Richter

Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years, his seemingly willful and defiant movement between abstract and figurative modes of representation and his use of a variety of methods of applying paint to canvas. And Richter himself is the master of the paradoxical statement. Although he has emphasized that he is foremost a painter and has never been a theorist, throughout his career he has issued provocative and memorable statements. Over seven years in preparation, this book makes available a selection of Richter's texts, many translated for the first time. These texts come from all periods of his career, beginning with a letter he wrote to a film company promoting the first group show of German Pop Art in 1963, in which he was a participant. There are public statements about specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics, and excerpts from journals discussing the intentions, subjects, methods, and sources of his works from various periods. The writings are accompanied by 87 biographical illustrations from the artist's personal collection.

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essay by Nicholas Capasso

"Bones of the Earth, Spirit of the Land, spans the twenty-five year career of the internationally recognized sculptor John Van Alstine. Beginning with early stone carvings reminiscent of Modernists such as Hans Arp and Constantin Brancusi, this book traces the rapid development of a style and themes centered on combining roughly hewn stone and metal. Van Alstine has an abiding concern for the land resulting in sculptures that "elicit meaning through their juxtapositions with existing landscapes, and also transform places from the mundane to the magical," according to Nicholas Capasso in his introductory essay. Also featured in this book are many of Van Alstine's drawings and early "easel paintings.""--BOOK JACKET.