Born into wealth in New Orleans in 1795 and married into misery fifteen years later, the Baroness Micaela Almonester de Pontalba led a life ripe for novelization. Intimate Enemies, however, is the spellbinding true account of this resilient woman's life - and the three men who most affected its course. Immediately upon marrying Celestin de Pontalba, Micaela was removed to his family's estate in France. For twenty years her father-in-law attempted to drive her to abandon Celestin; by law he could then seize control of her fortune. He tried dozens of strategies, including at one point instructing the entire Pontalba household to pretend she was invisible. Finally, in 1834, the despairing elder Pontalba trapped Micaela in a bedroom and shot her four times before turning his gun on himself. Miraculously, she survived. Five years later, after securing both a separation from Celestin and legal power over her wealth, Micaela focused her attention on building, following in the footsteps of her late, illustrious father, Andres Almonester. Her Parisian mansion, the Hotel Pontalba, is today the official residence of the American embassy in France, and her Pontalba Buildings, which flank Jackson Square in New Orleans, form together with her father's St. Louis Cathedral, Presbytere, and Cabildo one of the loveliest architectural complexes in America. As for Celestin, he eventually suffered a total physical and mental breakdown and begged Micaela to return. She did so, caring for him for twenty-three years until her death in 1874. In Intimate Enemies, Christina Vella embroiders the compelling story of the Almonester-Pontalba alliance against a richly woven background of the events and cultures of two centuries and two vivid societies. She provides a window into the yellow fever epidemics that raged in New Orleans; the rebuilding of Paris, the Paris Commune uprising, and the Second Empire of Napoleon III, European ideas of power, class, money, marriage, and love during the baroness' lifetime and their inflection in the New World setting of New Orleans; medical treatments, legal procedures, imperial court life, banking practices, and much more.
Since the day she was scouted by a modeling agent while shopping at a London street fair when she was just nineteen, Alek Wek's life has been nothing short of a fantasy. When she's not the featured model in print campaigns for hip companies, or gracing the cover of Elle, she is working the runways of Paris, New York, and Milan to model for the world's leading designers, including Karl Lagerfeld for Chanel. But nothing in her early years prepared her for the life of a model.Born in Wau, in the southern Sudan, Alek knew only a few years of peace with her family before they were caught up in a ruthless civil war that pitted outlaw militias, the Muslim-dominated government, and southern rebels against each other in a brutal conflict that killed nearly two million people. Here is her daring story of fleeing the war on foot and her escape to London, where her rise from young model to supermodel was all the more notable because of Alek's non-European looks.A probe into the Sudanese conflict and an inside look into the life of a most unique supermodel, Alek is a book that will inspire as well as inform.
Using letters, diaries, and family legend, Frances Osborne explores the life of Idina, her enigmatic great-grandmother, following her from Edwardian London to the hills of Kenya, where she reigned over the scandalous antics of the 'Happy Valley set'" - Back cover.
"In the first book-length biography of Mercedes de Acosta, theater historian Robert A. Schanke adroitly mines lost archival materials and mixes in his own interviews with de Acosta's intimates to correct established myths and at last construct an accurate, detailed, and vibrant portrait of the flamboyantly uninhibited early-twentieth-century author, poet, and playwright." "Born to wealthy Spanish immigrants, Mercedes de Acosta (1893-1968) lived in opulence and traveled in the same social circles as the Astors and Vanderbilts. She was introduced to the New York theater scene at an early age, and her dual loves of performance and of women informed every aspect of her life thereafter. De Acosta was notorious for walking the streets of New York in mannish pants, pointed shoes trimmed with buckles, a tricorn hat, and a cape. With her chalky white face, deep-set eyes, thin red lips, and jet black hair, de Acosta was labeled "Countess Dracula" by Tallulah Bankhead. And Alice B. Toklas's observation, "Say what you will about Mercedes, she's had the most important women in the twentieth century," was well justified, as her romantic conquests included such internationally renowned beauties as Greta Garbo, Marlene Dietrich, and Isadora Duncan, as well as Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson." "Not merely a record of her personal life and infamous romances, this account offers the first analysis of de Acosta's complete oeuvre, including three volumes of poetry, two novels, two film scripts, and a dozen plays. Although only two of her plays were ever published during her lifetime, four of them were produced, featuring such stage luminaries as John Gielgud, Ralph Richardson, and Eva Le Gallienne. When she published her first volume of poetry, Moods, in 1919, critics praised her achievements and predicted her rise to literary fame. Unfortunately, the love of other women that fueled her writing also limited her opportunities to fulfill this destiny. Failing to achieve any lasting fame, she died in relative poverty at the age of seventy-five." "Aided by twenty-seven photographs, Schanke establishes Mercedes de Acosta's rightful place as a pioneer - and indeed a champion - in the early struggle for lesbian rights in this country. The famous portrayal of her as "that furious lesbian" should now be considered an admiring description rather than a scornful slur."--Jacket.
Julie Powell thought cooking her way through Julia Child's Mastering the Art of French Cooking was the craziest thing she'd ever do--until she embarked on the voyage recounted in her new memoir, CLEAVING.Her marriage challenged by an insane, irresistible love affair, Julie decides to leave town and immerse herself in a new obsession: butchery. She finds her way to Fleischer's, a butcher shop where she buries herself in the details of food. She learns how to break down a side of beef and French a rack of ribs--tough, physical work that only sometimes distracts her from thoughts of afternoon trysts.The camaraderie at Fleischer's leads Julie to search out fellow butchers around the world--from South America to Europe to Africa . At the end of her odyssey, she has learned a new art and perhaps even mastered her unruly heart.
Intimate enemies by Christina Vella | Literally Just Books
