Jenni Rivera

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Christopher J. Knight

The Patient Particulars: American Modernism and the Technique of Originality is a literary history that focuses on four canonical texts - Stein's Tender Buttons (1914), Hemingway's In Our Time (1925), Williams's Spring and All (1923), and Moore's Observations (1924) - grouped together for the purpose of raising a question about the manner in which American literary modernism is traditionally described. Author Christopher J. Knight is interested in the way that the classical "covenant between word and world," now considered fractured, experienced undue pressure from the modernists' earlier project to bridge the gap. With respect to the texts named, Knight argues that there is an evinced desire to think of the work as a vertical, veridical act of discovery. There is, as such, an ambition to collapse representation into presentation and even revelation; an ambition that, while quixotic, is not without formal ("the technique of originality") and political consequences. These consequences are, in fact, the main focus of the book, and in turn, are brought forward to ask further questions about how we periodize American literary modernism(s).

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por Jamie Kelly

Jamie is crushing on Hudson. Someone too-gross-to-be- named is crushing on Jamie. And Hudson is crushing on . . . Princess Turd of Turdsylvania (a.k.a. The Prettiest Girl in the World). Middle school may be grim, but it's no fairy tale. And crazy doesn't even begin to cover it. "Dear Dumb Diary, I got another poem today from You-Know-Who 'She is the fairest blossom, true, She blooms in any weather. But I must love her from afar. We'll never be together.' Signed, M.P. Can you believe the pain he's in? His suffering? The crushing heartache he endures every time he sees me? Gosh, it just makes me so happy

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Leonard P. Hindsley

The nuns and chaplains who lived at the Monastery of Engelthal, a fourteenth-century monastery near Nuremberg, Germany, were responsible for a remarkable collection of autobiographical and biographical texts during the 1300s. The Mystics of Engelthal is the first English-language book to unveil these writings and to examine the meanings contained within them.

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Sue Miller

"In the fall of 1988, Sue Miller found herself caring for her father as he slipped into the grasp of Alzheimer's disease. She was, she claims, perhaps the least constitutionally suited of all her siblings to be in the role in which she suddenly found herself, and in The Story of My Father she grapples with the haunting memories of those final months and the larger narrative of her father's life. With compassion, self-scrutiny, and an urgency born of her own yearning to rescue her father's memory from the disorder and oblivion that marked his dying and death, Sue Miller takes us on an intensely personal journey that becomes, by virtue of her enormous gifts of observation, perception, and literary precision, a universal story of fathers and daughters.". "James Nichols was a fourth-generation minister, a retired professor from Princeton Theological Seminary. Sue Miller brings her father brilliantly to life in these pages - his religious faith, his endless patience with his children, his gaiety and willingness to delight in the ridiculous, his singular gifts as a listener, and the rituals of church life that stayed with him through his final days. She recalls the bitter irony of watching him, a church historian, wrestle with a disease that inexorably lays waste to notions of time, history, and meaning. She recounts her struggle with doctors, her deep ambivalence about many of her own choices, and the difficulty of finding, continually, the humane and moral response to a disease whose special cruelty it is to dissolve particularities and to diminish, in so many ways, the humanity of those it strikes. She reflects, unforgettably, on the variable nature of memory, the paradox of trying to weave a truthful narrative from the threads of a dissolving life. And she offers stunning insight into her own life as both a daughter and a writer, two roles that swell together here in a poignant meditation on the consolations of storytelling." "Sue Miller now gives us a inventory of two lives, in a memoir destined to offer comfort to all sons and daughters struggling - as we all eventually must - to make peace with their fathers and with themselves."--BOOK JACKET.