L' isthme de Suez

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Barbara Kellner-Heinkele and Jacob M. Landau

"Bahrain's tumultuous political landscape often overshadows the societal upheavals that this tiny country is facing. Sophia Pandya cuts through this to examine how international Islamic revivalism coupled with increased secular education has impacted Muslim women's religious practice and public position. She unsettles assumptions that education is a secularising force for Muslim women, showing that modern education among Bahraini women has in fact deepened both their engagement with Islam and their political participation. Uncovering what transpires when newly educated women have the opportunity to reinterpret religion and gain access to the work place and the political arena, Pandya sheds light on the complex intersections between women and public life, education and Islam. This book provides great insights into religious women's efforts towards self-determination within conservative Islamic movements as well as the impact of globalisation and wider economic and political developments in Bahrain."--Bloomsbury publishing.

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Charlotte Cooper

Charlotte Cooper, a fat activist with more than 30 years experience, lifts the lid on a previously unexplored social movement and offers a fresh perspective on one of the major problems of our times. In her expansive, intelligent grassroots study she: - Reveals details of fat activist methods and approaches - Features extensive accounts of fat activist historical roots going back over four decades - Explores controversies and tensions in the movement - Shows that fat activism is an undeniably feminist and queer phenomenon. Fat Activism: A Radical Social Movement is a rare instance of fat people speaking about their lives and politics on their own terms. The book is the result of Charlotte's community-based doctoral research.--Amazon. CA.

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Paul du Quenoy

"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.

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Claire Hoertz Badaracco

Between the turn of the century and about 1940, dramatic changes took place in both British and American print culture. Publishers scrambled as new markets developed or were created through advertising. Lithographers and designers helped establish the preeminence of "modern" aesthetics. And the centuries-old printing industry was transformed by unprecedented technological advances. In Trading Words Claire Hoertz Badaracco examines these fascinating developments in an engaging study of the economics of literary design. She investigates how writers sold their poetry by marketing their reputations, how book printers used American literature to break the long hold of European classics on the mass-market literary imagination, and how direct mail and advertising made or broke subscription publishing enterprises during the 1930s. Drawing on rare books and manuscript materials from distinguished collections in the history of printing and marketing, Badaracco freshly surveys the development of twentieth-century "mass culture" and reinterprets the philosophies, ideals, and schemes of the poets, typographers, and publishers who succeeded in capturing the public imagination.